“Living Pictures at Will”: Projecting Haunted Minds
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Abstract
This chapter explores a triangular relationship between internal mental spaces, the supernatural and the trope of projection. It examines several nineteenth-century texts that display this connection: Edward Bulwer-Lytton’s 1859 novella “The Haunted and the Haunters,” spiritualist/journalist W.T. Stead’s 1896 writings about “The Kinetiscope of the Mind” and David Starr Jordan’s 1896 sympsychography hoax. From these examples, it goes into a discussion of the use of supernatural-coded aesthetics to represent internal states in early cinema, eventually moving ahead to the reflexive hypnotism scene in Stir of Echoes (1999).
Keywords
Movie Theatre Mental Space Film Theory Hypnagogic Hallucination Early Cinema
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