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Alí Primera and Venezuelan Cultural Policy in the Twenty-First Century

  • Hazel Marsh
Chapter
Part of the Palgrave Studies in the History of Subcultures and Popular Music book series (PSHSPM)

Abstract

In the mid to late 1990s, as a political outsider with no links to the dominant Punto Fijo parties, the then colonel Hugo Chávez publicly identified with and expressed his admiration for Alí Primera and Canción Necesaria, and he harnessed already existing collective memories of Alí Primera’s life, songs and death in order to construct a political persona that resonated with the masses, and to create an identity for his political movement.

Keywords

Cultural Heritage Collective Memory Cultural Form Cultural Policy Cultural Sphere 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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Copyright information

© The Author(s) 2016

Authors and Affiliations

  • Hazel Marsh
    • 1
  1. 1.School of Politics, Philosophy, LanguageUniversity of East AngliaNorwichUK

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