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Utopic Cannibalism in Carlos Fausto, Leonardo Sette, and Takumã Kuikuro’s As Hiper Mulheres

  • Sarah Shamash
Chapter
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Abstract

Shamash’s chapter studies indigenous film productions in Brazil, particularly a documentary that portrays an all-women festival of the Kuikuro tribe, raising issues of cultural and environmental preservation. Shamash meditates on the utopian potential of the film medium as a performance of self-determination while tracing a genealogy of the decolonization of film history from Latin American Third Cinema to an international Indigenous Fourth Cinema. During this process, the author alludes to Kuikuro mythologies as they are represented through sound and image, along the notion of cannibalism as a subversive trope that empowers women as agents capable of leading the way in their communities.

Keywords

Indigenous People Indigenous Population Indigenous Community Indigenous Woman Utopic Vision 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

Works Cited

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Filmography

  1. Como Era Gostoso o Meu Francês. 1971. Directed by Nelson Pereira dos Santos. Condor Films. DVD.Google Scholar
  2. Hans Staden. 1999. Directed by Luís Alberto Pereira. Instituto Português da Arte Cinematográfica e Audiovisual (IPACA). Film.Google Scholar
  3. As Hiper Mulheres. 2011. Directed by Carlos Fausto, Leonardo Sette, and Takumã Kuikuro. Vídeo nas Aldeias. DVD.Google Scholar
  4. Iracema: Uma Transa Amazônica. 1975. Directed by Jorge Bordanzky and Orlando Senna. Stop Film. Film.Google Scholar
  5. Macunaíma. 1969. Directed by Joaquim Pedro de Andrade. Condor Films. Film.Google Scholar

Copyright information

© The Author(s) 2017

Authors and Affiliations

  • Sarah Shamash
    • 1
  1. 1.University of British ColumbiaVancouverCanada

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