Abstract
Constructing home is a nostalgic, postmodern endeavor associated with the waning of colonialism. With decolonization, the passing of the old order of colonialism and/or neocolonialism brought into being new nationhoods that present varying degrees of the accommodation of difference. New Zealand is an example of a postcolonial nation in which the political representation of white males, women, Maoris, other ethnic minorities, homosexuals, and transsexuals represents a relatively balanced articulation between universality and particularity.1 Such a nation approaches Laclau’s and Mouffe’s conception of a radical democracy that is defined by pluralism and the acceptance of the constitutive character of antagonisms.2 Elsewhere, statehoods are less accommodating, and, because of a lingering authoritarianism or the rise of nationalism, result in displacement or the migration of nationals overseas.
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Notes
See Ernesto Laclau and Chantal Mouffe, Hegemony & Socialist Strategy: Toward a Radical Democratic Politics, 2nd edition, London: Verso Books, 2001, for a discussion of the critical thinking that emerged in the wake of the crisis of left-wing thought.
Iain Chambers, Border Dialogues: Journeys in Postmodernity, London and New York: Routledge, 1990, 104.
A-chin Hsiau, Contemporary Taiwanese Cultural Nationalism, London and New York: Routledge, 2000, 178.
Homi K Bhabha (ed.), Nation and Narration, London and New York: Routledge, 1990, 1, 5.
Stuart Hall and Paul de Gay (eds.), Questions of Cultural Identity, London, Thousand Oaks, CA: Sage, 1996, 3.
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© 2005 John Makeham and A-chin Hsiau
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Haddon, R. (2005). Being/Not Being at Home in the Writing of Zhu Tianxin. In: Makeham, J., Hsiau, Ac. (eds) Cultural, Ethnic, and Political Nationalism in Contemporary Taiwan. Palgrave Macmillan, New York. https://doi.org/10.1057/9781403980618_4
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DOI: https://doi.org/10.1057/9781403980618_4
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