Abstract
This chapter argues that amateur theatre plays a vital role in sustaining a national theatrical repertoire. Tracing the way that amateur theatre has championed new writing and playwrights through the twentieth century, the chapter looks at how the thousands of amateur productions currently staged each year support professional playwrights, publishers and performance rights holders. The success of Tim Firth’s Calendar Girls illustrates some of the ways in which amateur theatre can extend the life of a play temporally and geographically. The chapter argues that as curators of local and accessible seasons of work, amateur theatre groups are both local taste-makers and, through their choices about what to keep in production, they also contribute to the making of national dramatic canons. More than building the habit of theatre-going in local audiences, amateur theatre groups build their audiences’ dramatic expertise. The chapter concludes by examining some of the distinctive qualities of the new play writing within the amateur sector.
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15 February 2019
The book was inadvertently published without the names of the chapter authors in the table of contents and the chapter opening pages. This has now been updated.
Notes
- 1.
http://www.allenglandtheatrefestival.co.uk/about.htm Accessed 1 December 2017.
- 2.
The British Theatre Repertoire 2013 report was commissioned by the British Theatre Consortium, UK Theatre and the Society of London Theatres, underwritten by Arts Council England, to build a ‘statistical picture of what has been happening on British stages in the 21st century’ (2013: 3).
- 3.
Interview Jane Milling with Michel Shipley, Bolton Little Theatre, 29 June 2016.
- 4.
Interview Molly Flynn with Jessica Swale, 16 January 2017. All other quotations are taken from this interview.
- 5.
Interview Molly Flynn with Amanda Whittington, 23 November 2016. All other quotations are taken from this interview.
- 6.
Interview Jane Milling with Ian Guy, Exeter Drama Company, 18 June 2016.
- 7.
Samuel French Ltd., formed in 1873 when Thomas Hailes Lacy sold his side of the US-Anglo French-Lacy collaboration, was the largest amateur performing rights licensor throughout the twentieth century.
- 8.
Nick Hern Books, founded 1988, has coupled play publishing with managing professional and amateur performance rights since its inception.
- 9.
Interview Jane Milling with Peter Smith, Samuel French, 12 April 2016. All other quotations taken from this interview.
- 10.
Interview of Jane Milling with Tamara von Werthern, Nick Hern Books, 13 April 2016. All other quotations taken from this interview.
- 11.
Interview Molly Flynn with Tim Firth, 13 December 2016. All other quotations taken from this interview.
- 12.
Lloyd Evans’ phrase from The Spectator review has become the strapline on Samuel French’s publication of the play, Tim Firth, Calendar Girls (London: Samuel French, 2010).
- 13.
Interview Molly Flynn with Amanda Whittington, 23 November 2016. All other quotations taken from this interview.
- 14.
The British Drama League library is now housed by the Drama Association of Wales at the Royal Welsh College of Music and Drama, Cardiff.
- 15.
Interview Jane Milling with Tamara von Werthern, Nick Hern Books, 13 April 2016.
- 16.
Interview Jane Milling with Peter Smith, Samuel French Ltd., 12 April 2016.
- 17.
Interview Jane Milling with Tom Williams, Chesil Theatre, Winchester. 19 May 2015. All other quotations are taken from this interview.
- 18.
Interview Jane Milling with Shirley Nelson, Sidmouth Amateur Dramatic Society, 27 January 2015.
- 19.
Interview Nadine Holdsworth with Roger Mitchell, Admirals’ Players, 24 April 2015.
- 20.
Interview Jane Milling with Frances Percival, Southport Little Theatre, 9 April 2016.
- 21.
Interview Jane Milling with Tamara von Werthern, Nick Hern Books, 13 April 2016.
- 22.
Interview Jane Milling with Annabel Caunter and Alison Geen, Postbridge, 23 March 2016. All other quotations are taken from this interview.
- 23.
The Giant Coarse Acting Festival. The Questors, London. 24–25 November 2017. http://www.questors.org.uk/event.aspx?id=694 Accessed 2 January 2018.
- 24.
Interview Jane Milling with Nick Stimson, 2 Dec 2016. All other quotations are taken from this interview.
- 25.
Jim Irvin, Obituary, James Saunders, The Guardian, 5 February 2004. https://www.theguardian.com/news/2004/feb/05/guardianobituaries.artsobituaries Accessed 7 December 2017.
- 26.
http://archive.questors.org.uk/prods/1964/berlinplays/page.html Accessed 1 June 2016.
- 27.
Sponsored by June Owen of Garboldisham Amateur Dramatic Society to promote play writing for the amateur theatre. https://www.noda.org.uk/regions/east/the-fourth-norfolk-one-act-playwriting-competition Accessed 7 December 2017.
- 28.
The Windsor Fringe Drama Awards reiterate ‘Only amateur playwrights are eligible and only one script per author will be accepted. Each script must be an original work by the entrant, and must not have been previously published or performed.’ http://www.windsorfringe.co.uk/drama-awards/ Accessed 7 December 2017.
- 29.
St Mary’s Theatre Club annual one-act play (15–30 minutes) competition has run since 2010. In 2016, as part of the Isles of Scilly Festival, after rehearsed readings of shortlisted plays, the audience helped to choose the winner. https://www.facebook.com/stmarystheatreclubios Accessed 7 December 2017.
- 30.
http://www.congletonplayers.com/index.html Accessed 7 December 2017. All 400 entries in 2017, granted the Congleton Players free performing rights for their work.
- 31.
The resulting one-act comedy One Act Play by Matt Fox was staged in January 2015. https://lacemarkettheatre.co.uk/LaceMarketTheatre.dll/News?NewsItem=38 Accessed 7 December 2017.
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Milling, J., Holdsworth, N., Nicholson, H. (2018). Amateur Repertoires. In: The Ecologies of Amateur Theatre. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-50810-2_3
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