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The Transformation of the Popular Song as a Tool for Arts Education and Cultural Sustainability

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Cultural Sustainability and Arts Education

Abstract

This paper considers selected arrangements of secular and sacred popular songs for choral ensembles, to highlight embedded and applied artistic concepts. I relate these to the notion of musicianship and music as state and way of knowing, respectively. I then articulate the potential of pop music arrangements for arts education, where indigenous aesthetic concepts face new artistic realities toward cultural transformation. This provides a model for understanding cultural sustainability.

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Notes

  1. 1.

    Mercy Masika—Mwema: https://youtu.be/RmG-8dK5kQg.

References

  • Akuno, E. A. (2016). Issues in music education in Kenya: A handbook for teachers of music (2nd ed.). Emak Music Services.

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  • Okumu, C. (2005). The Congolese Colonisation of Kenyan popular music. Refocusing indigenour music in music education (pp. 117–122). Kenyatta University.

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  • Ondieki, D. O. (2010). An analysis of Kenyan popular music of 1945–1975 for the development of instructional materials for music education. Kenyatta University.

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Correspondence to Emily Achieng’ Akuno .

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© 2023 The Author(s), under exclusive license to Springer Nature Singapore Pte Ltd.

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Akuno, E.A. (2023). The Transformation of the Popular Song as a Tool for Arts Education and Cultural Sustainability. In: Jörissen, B., Unterberg, L., Klepacki, T. (eds) Cultural Sustainability and Arts Education. Yearbook of Arts Education Research for Cultural Diversity and Sustainable Development, vol 2. Springer, Singapore. https://doi.org/10.1007/978-981-19-3915-0_3

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  • DOI: https://doi.org/10.1007/978-981-19-3915-0_3

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  • Publisher Name: Springer, Singapore

  • Print ISBN: 978-981-19-3914-3

  • Online ISBN: 978-981-19-3915-0

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