Skip to main content

Cultural Discount and Chinese Cultural Exports

  • Chapter
  • First Online:
Culture Paves The New Silk Roads
  • 324 Accesses

Abstract

China’s creative industries and cultural production are charged with the task of strengthening the progress of China’s cultural power worldwide. This is something other developed nations, for example the United States, have identified in their own practice as soft power development. American blue jeans, Coca-Cola, Hollywood films, and major network television series like Law and Order have changed the way publics throughout the world dress, drink, spend their leisure time, and think of justice.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 79.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 99.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 99.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Notes

  1. 1.

    M.S. Olimat, China and Central Asia in the Post-Soviet Era: A Bilateral Approach (Lanham: Lexington Books, 2015), 47–54.

  2. 2.

    John Howkins, The Creative Economy: How People Make Money from Ideas (London: Penguin Books, 2001), 348, H.

  3. 3.

    See David Hesmondhalgh, The Cultural Industries, Second Edition (Los Angeles: SAGE, 2007).

  4. 4.

    David Hesmondhalgh, 17–24.

  5. 5.

    John Howkins, The Creative Economy: How People Make Money from Ideas, 447.

  6. 6.

    “Creative Economy Report 2010,” 2010, 422.

  7. 7.

    “中国特色社会主义: 概念演变与内涵升华–理论–人民网,” accessed October 18, 2021, http://theory.people.com.cn/n/2013/0116/c49157-20216946.html.

  8. 8.

    “中国共产党领导是中国特色社会主义最本质的特征-新华网,” accessed October 18, 2021, http://www.xinhuanet.com/2020-07/15/c_1126241149.htm.

  9. 9.

    Min Ye, “The Belt Road and Beyond State-Mobilized Globalization in China 1998–2018,” 7.

  10. 10.

    Sophia Kidd, “Realism in China’s Contemporary Moment: Chen Anjian’s Transport Teahouse Oil Painting Series,” Yishu Journal of Contemporary Chinese Art 17, no. 6 (2018): 52–67.

  11. 11.

    “A Year After Xi’s Landmark Speech on the Arts, Some Things Get Left Out—WSJ,” accessed October 18, 2021, https://www.wsj.com/articles/BL-CJB-27898.

  12. 12.

    “Talks at the Yenan Forum on Literature and Art,” accessed October 18, 2021, https://www.marxists.org/reference/archive/mao/selected-works/volume-3/mswv3_08.htm.

  13. 13.

    Federica Mirra, Art Theory in Xi Jinping’s Policy: M.A. Thesis (Leiden University, 2016).

  14. 14.

    “Xi Jinping’s Talks at the Beijing Forum on Literature and Art,” China Copyright and Media (blog), October 16, 2014, https://chinacopyrightandmedia.wordpress.com/2014/10/16/xi-jinpings-talks-at-the-beijing-forum-on-literature-and-art/.

  15. 15.

    “China’s Traditional Cultural Values and National Identity—Carnegie-Tsinghua Center—Carnegie Endowment for International Peace,” accessed October 18, 2021, https://carnegietsinghua.org/2013/11/21/china-s-traditional-cultural-values-and-national-identity-pub-53613.

  16. 16.

    Tony Fang and Guy Olivier Faure, “Chinese Communication Characteristics: A Yin Yang Perspective,” International Journal of Intercultural Relations 35, no. 3 (May 2011): 320–33.

  17. 17.

    Yi Zhang and Zigang Zhang, “Guanxi and Organizational Dynamics in China: A Link Between Individual and Organizational Levels,” Journal of Business Ethics 67, no. 4 (October 5, 2006): 375–92.

  18. 18.

    Jay Xu, “Presentation of Chinese Contemporary Art in the United States” (Unpublished “Aliens” exhibition panel discussion, Stanford University, November 22, 2019).

  19. 19.

    “Their Irony, Humor (and Art) Can Save China—The New York Times,” accessed October 18, 2021, https://www.nytimes.com/1993/12/19/magazine/their-irony-humor-and-art-can-save-china.html.

  20. 20.

    Asia Art Archive, “Introduction of the Annie Wong Art Foundation,” accessed October 18, 2021, https://aaa.org.hk/en/collections/search/archive/zheng-shengtian-archive-reports-admin-documents/object/introduction-of-the-annie-wong-art-foundation.

  21. 21.

    Wu Hung and Peggy Wang, eds., Contemporary Chinese Art: Primary Documents (MoMA Primary Documents) (New York: The Museum of Modern Art, 2010), 409.

  22. 22.

    Lu Peng, The Story of Art in China: From Late Qing through Today 美术的故事: 从晚晴到今天 (Guangxi: Guangxi Teachers Normal University Press, 215AD), 315–53.

  23. 23.

    Wu Hung and Peggy Wang, Contemporary Chinese Art: Primary Documents (MoMA Primary Documents), 412.

  24. 24.

    Sophia Kidd, “Conceptual Archaeology: Performance Art in Southwest China,” Yishu Journal of Contemporary Chinese Art 10, no. 3 (June 2011).

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Sophia Kidd .

Rights and permissions

Reprints and permissions

Copyright information

© 2022 The Author(s), under exclusive license to Springer Nature Singapore Pte Ltd.

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Kidd, S. (2022). Cultural Discount and Chinese Cultural Exports. In: Culture Paves The New Silk Roads. Contemporary East Asian Visual Cultures, Societies and Politics. Palgrave Macmillan, Singapore. https://doi.org/10.1007/978-981-16-8574-3_5

Download citation

Publish with us

Policies and ethics