Abstract
Since the author and his family quitted the apartment in Beijing and settled down in Bishan in early 2013, the Bishan Project began to get involved in the daily life of the village and entered the stage of “deep plowing.” Under the lobbying of the author, Qian Xiaohua, the owner of the Librairie Avant-Garde in Nanjing, finally opened its first rural branch, Bishan Bookstore, in 2014. Almost at the same time, the three-year fieldwork on “Handicraft in Yi County” by Zuo Jing and his students was published. In this chapter, taking Han Yu and Zheng Xiaoguang’s Pig’s Inn, Zuo Jing’s Guanlu Cottage and his own Buffalo Institute as examples, the author makes a deep study on the historical roots and restoration practices of Huizhou-style vernacular architecture, and summarizes the experience of the Bishan Project in architectural restoration and historical preservation. At the same time, he also expounds the significance of Bishan Bookstore to the daily public life and cultural construction in rural areas, and the necessity of the fieldwork on “Handicraft in Yi County” to understand the history of local life and sort out the local historical resources. It was daily work to restore the vacant old houses, run the Bishan Bookstore and make the general survey of local handicraft. The author's attention to these normal constructions in the village reflects his rethinking on the “festivalism” in the previous stage of Bishan Project.
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Notes
- 1.
Huizhou is, historically, an administrative region. It was renamed from Shezhou in the third year of Xuanhe, Song Dynasty (1121), and has jurisdiction over Shexian, Yixian, Xiuning, Qimen, Jixi, and Wuyuan counties. In 1987, Huizhou was renamed Huangshan City.
- 2.
Zhao Jishi, “Miscellaneous Records from a Native Elder,” Transmissions from the Abode of Ji Garden, Volume 11, 1695. Quoted from the reprint version (Hefei: Huangshan Publishing House, 2008).
- 3.
Quoted from Su Shi’s poem “The Peasant Woman’s Lament” (Northern Song Dynasty): “She cries until her tears are dry, yet the rain does not end. It pains her to see the yellow ears of rice being blown down in the mud.”
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Ning, O. (2020). Deep Plowing. In: Utopia in Practice. Contemporary East Asian Visual Cultures, Societies and Politics. Palgrave Macmillan, Singapore. https://doi.org/10.1007/978-981-15-5791-0_7
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DOI: https://doi.org/10.1007/978-981-15-5791-0_7
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