Abstract
A well-known Malay pop composer, musician, and singer, P. Ramlee, has a significant impact on the Malay music and film industries as well as Asian cultures. P. Ramlee has composed and produced more than 300 songs during his musical journey. The purpose of this research is to explore the possibilities of a modern popular Malay music performed by a duo group, which consists of a flute and a guitar. Secondly, it examines the two closely related musical instruments: flute and guitar, in performing a new arrangement of music of “Bekorban Apa Saja” (To Sacrifice Everything) and “Menceceh Bujang Lapok” (Chatter of the Old Bachelor). The music was originally composed by P. Ramlee for solo vocal, a band consisting of guitar, bass, and drum. It will specify the techniques and methods to depict the melodies and accompaniment for both instruments. By using practice-led research as a conceptual framework, this study generates detectable output from the creative work. Most commonly, a practice-led research project consists of two components: a creative output and a text component, commonly referred to as an “exegesis”. The work itself provides the outcome of the research flow and answers all the research questions (Candy in Practice based research: a guide. Creativity and cognition studios report 1, 2006). The deliberations for musical arrangement incorporate the following research questions: i) what are the specific music elements and methods of the flute and guitar that can be portrayed for the selected song? ii) what are the structures of the new arrangement for the songs? The primary source of “lead-sheet” of the selected repertoires was gathered from a music score published by Perkamus in Singapore. The new arrangement of music for flute and guitar then had been reproduced and recorded. The selection of these two instruments features significant impact of P. Ramlee’s music on instrumental performances.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Similar content being viewed by others
References
Ahmad SAH, Johari S (1995) Lagu-lagu filem P. Ramlee 1961–1972. Harvard Kelab Di Malaysia, Kuala Lumpur
Barnard TP (2003) “Not just a movie”: the historical context of P. Ramlee and his films
Bondurant KA (1986) Twentieth-century flute performance techniques in selected compositions
Candy L (2006) Practice based research: a guide. Creativity and cognition studios report 1
Chopyak JD (1992) The development of Malaysian popular music: the influential roles of P. Ramlee and Johari Salleh. University Microfilms International
Dean L (2019) Altering screenwriting frameworks through practice-based research: a methodological approach. New Writ 1–15
Ramlee P, Sudarmaji S, Jamil S, Suria Records Sdn. Bhd. (Firm) (2003) Irama & lagu Tan Sri P. Ramlee. Suria Records Sdn. Bhd., Kuala Lumpur
Schroeder LM (2015) The Flute and Guitar Duo: the development of an equal partnership. DMA (Doctoral of Musical Arts) thesis, University of Iowa
Simposium Karya Seni Seniman Agung P. Ramlee (2003) P. Ramlee seniman agung dunia Melayu: Kumpulan kertas kerja simposium karya seni seniman agung P. Ramlee. Kuala Lumpur
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2020 Springer Nature Singapore Pte Ltd.
About this paper
Cite this paper
Mohamad Seperah, S.H., Syed Mohammed, S.F. (2020). Contribution–Classicizing Popular Songs of P. Ramlee for the Flute and Guitar. In: Kaur, N., Ahmad, M. (eds) Charting a Sustainable Future of ASEAN in Business and Social Sciences. Springer, Singapore. https://doi.org/10.1007/978-981-15-3859-9_5
Download citation
DOI: https://doi.org/10.1007/978-981-15-3859-9_5
Published:
Publisher Name: Springer, Singapore
Print ISBN: 978-981-15-3858-2
Online ISBN: 978-981-15-3859-9
eBook Packages: Business and ManagementBusiness and Management (R0)