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Luxury Craftsmanship as an Alternative to Building Social Fabric and Preserving Ancestral Knowledge: A Look at Colombia

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Part of the Environmental Footprints and Eco-design of Products and Processes book series (EFEPP)

Abstract

Colombia is a multicultural and biodiverse country, recognized for its multiethnicity. This multiethnicity is in part communicated through handicrafts that represent an exaltation to living memory and intercultural dialogue, which evokes tradition and favors innovation as a sustainable and productive alternative. Craftsmanship must be understood as the cultural and material expressions of people with rooted and plural identities. These have been taught through an oral tradition, which has emphasized the union between nature and the human being. In contrast to industrial design and its rational connection to modernity, handicrafts maintain an indivisible line of connection between its creator and its creation, continually reflecting the transformation of culture representation into colors, shapes, designs, and other traditional elements. These elements dignify the indigenous communities while making them visible through craft-making. If we look carefully at the conceptualization of handicrafts and luxury and its diverse characteristics, we understand that the basis of each is the production of exclusive, authentic pieces or services, full of values and stories of its creator. In that sense, a close link is created between the creator and his creation throughout the process and manages to transmit it to the world, generating products with significant symbolic value and durability over time. Sustainability, luxury, and ethics initiate a permanent and unalterable dialogue in the reconfiguration of the fashion system. This dialogue allows addressing in a meaningful manner, the creation of pieces aligned with responsible processes allowing environmental and social balance in a society where luxury cannot exist without sustainability.

Keywords

  • Colombia
  • Sustainable luxury
  • Crafts
  • Craftsmanship
  • Ancestral knowledge
  • Indigenous communities
  • Tradition

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Notes

  1. 1.

    It is the word used by indigenous communities to refer to the forms that appear in the crafts and represent geometric figures, animals, plants, and other things.

  2. 2.

    Accessed 25 June 2019 https://www.onic.org.co/noticias/2-sin-categoria/1038-pueblos.

  3. 3.

    Accessed 25 June 2019 https://www.semana.com/especiales-comerciales/articulo/turismo-artesanal-una-mirada-al-patrimonio-cultural-colombiano/429530-3.

  4. 4.

    Accessed 22 June 2019 http://www.artesaniasdecolombia.com.co/PortalAC/C_noticias/fibras-vegetales-elemento-basico-de-las-artesanias_5079.

  5. 5.

    Afro-Colombians: people of African descent born in Colombia. Palenqueros: descendants of slaves. Raizal: native population of San Andrés, Providencia and Santa Catalina, descendants of the union between Europeans and African slaves. Roma: ethnic minority group, descended from northern India, recognized in Colombia, through decree 2957, of August 6, 2010, as part of the ethnic and cultural diversity of Colombia.

  6. 6.

    www.artesaniasdecolombia.com.

  7. 7.

    Law 36 of 1984. November 19 of 1984, Law of the Craftsman, Decree 258 of 1987. Chapter 1, article 6.

  8. 8.

    https://www.essentiaconsulting.net/lujo-sustentable/. Accessed 2 July 2019.

  9. 9.

    Typical natural fibers of Colombia.

  10. 10.

    Large hammocks created with a handmade fabric.

  11. 11.

    Accessed 5 July 2019 http://www.waliruu.com/religare/.

  12. 12.

    Personal conversation between Manuela Peña and Leonidas Gutiérrez, shared on August 3, 2019.

  13. 13.

    Accessed 1 July 2019 https://www.elespectador.com/noticias/cultura/benjamin-jacanamijoy-hijo-del-viento-articulo-713541.

  14. 14.

    Representations of animals through drawings and figures that express the importance of wildlife in the community cosmogony.

  15. 15.

    Accessed 1 July 2019 https://coleccionetnograficaicanh.wordpress.com/el-chumbe/.

  16. 16.

    Accessed 1 July 2019 https://www.elespectador.com/noticias/cultura/benjamin-jacanamijoy-hijo-del-viento-articulo-713541.

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Correspondence to Alejandra Ospina .

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Ospina, A., López, A. (2020). Luxury Craftsmanship as an Alternative to Building Social Fabric and Preserving Ancestral Knowledge: A Look at Colombia. In: Gardetti, M., Coste-Manière, I. (eds) Sustainable Luxury and Craftsmanship. Environmental Footprints and Eco-design of Products and Processes. Springer, Singapore. https://doi.org/10.1007/978-981-15-3769-1_6

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