Skip to main content

In the Shadows: Tracing Children and Childhood in Indian Cinema

  • Chapter
  • First Online:
Book cover Asian Children’s Literature and Film in a Global Age

Part of the book series: Asia-Pacific and Literature in English ((APLE))

Abstract

Children’s cinema in India finds itself problematically positioned between a number of vexed categories that form the larger production complex of Indian cinema. While Indian cinema enjoys a reputation as one of the world’s most prolific annual producers of films and has one of the biggest global markets, the number of films that are child-centric, both by definition of being for children or about children, is relatively limited. This chapter aims to shed light on this marginal section of Indian cinema, providing a history of children’s films in India, examining aspects of definition and funding, and exploring perspectives regarding the production of films for children and about childhood in India. The chapter will also trace the main themes in the portrayal of children from an Indian context and will assess the various filmic representations that have emerged over the years.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 119.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 159.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 159.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

References

  • Alexander, Bryan. 2010. “Bollywood Star: “Slumdog Millionaire” Not an Indian Film.” NBCUniversal, Aug. 10, 2010. https://www.nbcdfw.com/blogs/popcornbiz/Bollywood-Star-Aamir-Khan--Slumdog-Millionaire-Is-Not-An-Indian-Film-100317154.html. Accessed on March 10, 2019.

  • Banaji, Shakuntala. 2017. “Bollywood’s Periphery: Child Stars and Representations of Childhood in Hindi Films.” In Childhood and Celebrity, edited by Jane O’Connor and John Mercer, 53–65. New York: Routledge.

    Google Scholar 

  • ———. 2006. “Young People Viewing Hindi Films: Ideology, Pleasure and Meaning.” Merz: Medien+Erziehung 3: 12–18.

    Google Scholar 

  • Brown, Noel. 2015. “A Brief History of Indian Children Cinema.” In Family Films in Global Cinema: The World Beyond Disney (Cinema and Society), edited by Noel Brown and Bruce Babington, 186–204. London: I.B. Tauris.

    Google Scholar 

  • Chandra, Nandini. 2009. “Merit and Opportunity in the Child-Centric Nationalist Films of the 1950s.” In Narratives of Indian Cinema, edited by Manju Jain, 123–144. New Delhi: Primus Books.

    Google Scholar 

  • Chattopadhyay, Saayan. 2011. “Boyhood, Ideology, and Popular Hindi Cinema.” Thymos: Journal of Boyhood Studies 5, no. 2: 138–151.

    Google Scholar 

  • Collins, Alfred. 2009. “Salaam Slumdog! Personal and Cultural Trauma and Restitution in the Mumbai Slums.” Psychological Studies 54: 194–201. https://doi.org/10.1007/s12646-009-0026-1. Accessed August 3, 2017.

  • Creekmur, Corey K. 2004. “Bombay Boys: Dissolving the Male Child in Popular Indian Cinema.” In Where the Boys Are: Cinemas of Masculinity and Youth, edited by Murray Pomerance and Frances K. Gateward, 350–376. Detroit, MI: Wayne State University Press.

    Google Scholar 

  • Devasundaram, Ashvin I. 2016. “Bollywood’s Soft Power: Branding the Nation, Sustaining a Meta-Hegemony.” New Cinemas: Journal of Contemporary Film 14, no. 1: 51–70.

    Google Scholar 

  • Ganti, Tejaswani. 2013. Bollywood: A Guidebook to Popular Hindi Cinema. New York: Routledge.

    Google Scholar 

  • Gokulsing, K. Moti, and Wimal Dissanayake. 2004. Indian Popular Cinema: A Narrative of Cultural Change. Trent, UK: Trentham Books.

    Google Scholar 

  • Joshi, Priya. 2015. Bollywood’s India: A Public Fantasy. Columbia University Press.

    Google Scholar 

  • KPMG. FICCI-KPMG Indian Media and Entertainment Industry Report, 2015. https://assets.kpmg.com/content/dam/kpmg/pdf/2015/03/FICCI-KPMG_2015.pdf. Accessed on April 12, 2019.

  • MacInnes, Paul. 2009. “How Slumdog Millionaire Is Changing Film-Making in India.” Guardian, June 4, 2009. https://www.theguardian.com/film/2009/jun/04/slumdog-millionaire-india. Accessed on April 30, 2019.

  • Nandy, Ashis. 1999. “Indian Popular Cinema as a Slum’s Eye View of Politics.” In The Secret Politics of Our Desires: Innocence, Culpability, and Indian Popular Cinema, edited by Ashis Nandy, 1–18. New Delhi: Oxford University. Accessed on April 19, 2019.

    Google Scholar 

  • Pal, Shubhodeep. “No Child’s Play.” The Hindu. May 14, 2017. https://www.thehindu.com/todayspaper/tp-features/tp-sundaymagazine/no-childs-play/article18450324.ece. Accessed on April 25, 2019.

  • Pandey, Siddarth. 2011. “Interrogating Masculinity Through the Child Figure in Bombay Cinema.” In Networking Knowledge: Journal of Media, Communication and Cultural Studies Association 4, no. 1: 1–21.

    Google Scholar 

  • Prasad, M. Madhava. 1998. Ideology of the Hindi Film: A Historical Construction. Delhi: Oxford University Press.

    Google Scholar 

  • Rajagopalan, Jayashree. 2013. “Heal the World, Make It a Better Place: Social and Individual Hope in Indian Children’s Cinema.” In Bookbird: A Journal of International Children’s Literature 51, no. 1: 10–19.

    Google Scholar 

  • Saraswathi, T.S., Shailaja Menon, and Ankur Madan, eds. 2017. Childhood in India: Traditions, Trends and Transformations. New Delhi: Routledge.

    Google Scholar 

  • Sharma, Mihir. 2017. “India’s Youth Are the World’s Future.” Bloomberg, Sept. 8, 2017. https://www.bloomberg.com/view/articles/2017-09-08/india-s-youth-are-the-world-sfuture.

  • Sharma, Sanjukta. 2017. “Movie Time with My Child.” Livemint, July 21, 2017. https://www.livemint.com/Leisure/pVeWm0h8BBMfHQT83JwuPJ/Movie-time-withmy-child.html.

  • Sircar, Ajanta. 2016. The Category of Children’s Cinema in India. Shimla: Indian Institute of Advanced Study.

    Google Scholar 

  • The Hindu. “Children's film movement fails to make its mark.” Dec. 14, 2002. http://www.thehindu.com/2002/12/15/stories/2002121502720400.htm. Accessed on April 15, 2019.

  • Virdi, Jyotika. 1992. “Salaam Bombay! (Mis)Representing Child Labor.” Jump Cut: A Review of Contemporary Media 37: 29–36.

    Google Scholar 

  • Wani, Aarti. 2015. “‘The Child’ of New Marathi Cinema.” Studies in South Asian Film & Media 7, nos. 1–2: 59–70.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2020 The Author(s)

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Ghalian, S. (2020). In the Shadows: Tracing Children and Childhood in Indian Cinema. In: Wilson, B., Gabriel, S. (eds) Asian Children’s Literature and Film in a Global Age. Asia-Pacific and Literature in English. Palgrave Macmillan, Singapore. https://doi.org/10.1007/978-981-15-2631-2_7

Download citation

Publish with us

Policies and ethics