Mind-Cinema and Cinematic Writing

  • Lena Redman


This chapter introduces the concept of mind-cinema and suggests viewing its embodiment on the pages of a digital document through the application of the genre of cinematic writing: writing with images, sounds and movements. Taking advantage of the affordances of digital media, the knower constructs their knowledge by recording the world around them and placing the bricole—material elements of the digital data—on software’s representational layers. In this, we can observe a feedback looping circularity of stimulus Open image in new window response. The bricoles are viewed as the elements of a database, while the responses are the implicit reactions of the narrative dimension. The database bricoles are juxtaposed on the production layers by the composite organisation of the narrative steps, establishing narrative Open image in new window database circularity. Therefore, the application of the narrative Open image in new window database looping generates the representing Open image in new window meaning-making circularity.


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© The Author(s) 2018

Authors and Affiliations

  • Lena Redman
    • 1
  1. 1.Monash UniversityMelbourneAustralia

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