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The Commune-ist Air: The Case of the IPTA Central Squad

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Theatre and National Identity in Colonial India
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Abstract

The House of Satan continued with its search for a homo nationalis through the early twentieth century. With time it became more assertive of an identity that it wished to establish. However, the collectives, the sociables and the groups that were largely associated with its functioning had not changed much in terms of the configuration of such congregations. In urban spaces it continued to be spearheaded by a certain educated section of the society although an increased mass base of the anticolonial movement as a whole provided impetus to the performance of the working groups. While reforms remained the primary agenda in this age of associations, the primary search through most narratives remained a search for the common being. And mostly that was the national common being. It was more like throwing one’s hand out in darkness not knowing what one wants—a substanceless substance. ‘Rowing’ should we call it through the unknown? Is that how it can be most appropriately defined? An interesting take on such a quest of the substanceless substance can be seen in the play by a performance collective that was formed in the Calcutta University around the Second World War. It was the Youth Cultural Institute (YCI). One play that it performed at the Ashutosh Hall in Calcutta was called ‘Politicians take to Rowing’ written by Jolie Kaul, a member of the YCI. She writes that what she aimed at was reaching out to a larger community given the hypocrisy and confusion around the political situation of the time. In this interesting take, a farce on a common being, a notice is sent to the Fuhrer from India, about a rowing challenge amongst four. The Fuhrer, Hitler, has no idea about how to row. He discusses his problem with Benito Mussolini. They come to the conclusion that rowing is something practised by the ‘decadent students of Oxford and Cambridge’. However he could not refuse the challenge because that would mean that his Aryan culture lacks something. So he calls upon Joseph Goebbels to order a truce with England because England knew rowing and they could teach the Germans. Goebbels was to take this message to Winston Churchill who was the Prime Minister of the United Kingdom at the time. However he had to explain to Churchill that it was because of the Jews that the Germans forgot rowing. Meanwhile, Goebbels practises the sport and all of them meet for the competition. Lord Linlithgow, the then Viceroy of India, becomes the moderator. The representatives from India who come to the rowing competition are Chakravarti Rajagopalachari—a leader of the Indian National Congress in the Madras Presidency; Lord Linlithgow introduced him as ‘He is the only member of the working committee who is working seriously for a compromise’; the next was Mahatma Gandhi who is introduced by Linlithgow as a saint-politician and that he has had ‘several talks with him already in which we have both understood each other perfectly but not arrived at any settlement’; the next is Subhas Bose, ‘the Congress President of the All India Forward Bloc; the next one is ‘Mr Hindu Mahasabha Savarkar’ and finally Jinnah whom Linlithgow introduces as the one ‘who has devised a brilliant scheme to keep India under the British as a dominion’. However even before the competition could start, chaos begins when Adolf Hitler declares himself as the leader of his team. Churchill clearly has a problem with that. Mussolini takes Hitler’s side, but the debate remains unresolved. On the other hand, in the Indian side, while Rajagopalachari begins with a compromise, Subhas Bose says the essential thing was leadership, and he would make the compromise if made the leader. Savarkar goes on to argue ‘Our ancient munis and rishis could have won this race by pure spiritual power. We Hindus have no unity amongst ourselves; that is the cause of our downfall and we have actually gone and included a Muslim in our crew’, while Jinnah argues for minority reservation and wants 50% Muslim representation in rowing. Although Linlithgow tries to intervene and says ‘you must never agree together but you must have perfect unity amongst yourselves’. However the Indian representatives become quiet when Mahatma Gandhi threatens them with a hunger strike. The farce remains unresolved. The author Jolie Kaul, an active woman member of the cultural movement of the Calcutta University, leaves several questions open. That a sport could become the motivation for a union turned the entire political scenario into a ridiculous situation where no one had an idea about the purpose—neither the Indian side nor the European. The question of the purpose, the reason for why the fight, is ridiculed not only within the national context as it were but also the international one. This question continued to haunt the cultural movements of the time.

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Notes

  1. 1.

    Jolie Kaul, YCI: Smriti (Bohurupi, Nabanna Smarak Shankha, 1969), 34

  2. 2.

    The play text is available at Natya Shodh, the theatre archive based in Kolkata, India.

  3. 3.

    Jack Amariglio, Subjectivity, class and Marx’s Forms of the Commune (Special Issue on the ‘Common and the forms of the Commune, Rethinking Marxism, Vol. 22 No. 3, July 2010), 330.

  4. 4.

    Amariglio, Subjectivity, Class and Marx’s Forms of the Commune, 333. ‘Marx does not privilege the idea that the direct producer of surplus is an individuated, labouring subjective entity over a subjectivity in which, or through which, the commune/clan is the unity to which the term direct producer can be applied. The notion of a direct producer, or worker, is seen as a historical product’.

  5. 5.

    Karl Marx, On the Paris Commune (Progress Publishers, Moscow, 1980), 130

  6. 6.

    Ibid., 153

  7. 7.

    Special Issue on the Common and the Forms of the Commune..., 308

  8. 8.

    For Maurice Blanchot this could be the simple absence of conditions which he calls the negative community. The Unavowable Community, Trans. Pierre Joris (Station Hill Press, New York, 1988) Agamben sees the possibility of politics in this absence, something that rejects all identity and every condition of belonging. The Coming Community, Trans. Michael Hardt. In Theory Out of Bounds, Vol. I (University of Minesota Press, Minneapolis, London, 2009).

  9. 9.

    Italics mine

  10. 10.

    Hind Swaraj, as published in Gujarat columns of Indian Opinion. (11th and 18th Dec., 1909), 66

  11. 11.

    Harijan 76 (26-7-1942), 308–9

  12. 12.

    Lloyd I. Rudolph et al. Postmodern Gandhi and Other Essays: Gandhi in the World and at Home (The University of Chicago Press, Chicago and London, 1967), 152

  13. 13.

    For Gandhi ‘Truth’ is not merely an opposition to a lie but rather it is a principled position. Ashram—Experiment with Truth (Raghavan Iyer, ed. The Essential Writings of Mahatma Gandhi, Oxford University Press, New Delhi, 2012), 283.

  14. 14.

    A Dedicated and Creative Life (Vikas Publishing House Pvt. Ltd., 1974), 59

  15. 15.

    Ram Rehman quotes the incident from Sunil Janah’s unpublished autobiography in the 14th P.C. Joshi Memorial Lecture delivered by him on ‘Sunil Janah, Photographer and P.C. Joshi: The Making of a Progressive Culture’ in 2010.

  16. 16.

    N.K. Krishnan, Testament of Faith: Memoirs of A Communist (New Delhi Publishing House, New Delhi, 1990), 128–29

  17. 17.

    Ibid.

  18. 18.

    Rented according to Rekha Jain, Shantida–My Mentor, Gul Bardhan, ed., Rhythm Incarnate: Tribute to Shanti Bardhan (Abhinav Publications, New Delhi, 1992)

  19. 19.

    Ibid. 60

  20. 20.

    Kisan Sabha was the name of the peasants’ front founded in 1936 at the Lucknow session of the Indian National Congress. It demanded the abolition of the existent feudal system and other oppressive taxes on the peasants. Although founded by the initiative of the left-inclined individuals of the Congress, it came fully under the control of CPI in 1942 around the time CPI was fully legalized.

  21. 21.

    Although this is the recorded year but her original date of birth according to her husband P.C. Joshi (Junior) was around 1930–1931.

  22. 22.

    Parvathi Krishnan in interview with M. Allirajan and Subha J Rao, The Hindu, January 13, 2003.

  23. 23.

    Apparently although P.C. Joshi had asked her to join CS, she was removed by Benoy Roy, Usha Dutt, Ora, Amra, Era; Sova Sen (Thema, Kolkata, 2000), 64.

  24. 24.

    Sudhi Pradhan (ed.), First souvenir of the CS, Marxist Cultural Movement in India, Vol. I (National Book Agency Pvt. Ltd., 1979), 380.

  25. 25.

    Ibid.

  26. 26.

    Ibid.

  27. 27.

    Ibid.

  28. 28.

    According to a report by Balraj Sahni in People’s Age published on January 13, 1946

  29. 29.

    ‘Kathiawari Muslim youth, who was working as a tailor’s apprentice before the IPTA noticed his talents and took him in’- ibid.

  30. 30.

    Sudhi Pradhan (ed.), 389

  31. 31.

    In interview with Pratibha Agarwal

  32. 32.

    Gul Bardhan, What a Tremendous Movement it was..., Seagull Theatre Quaterly, Issue 7 (October 1995), 40

  33. 33.

    In interview with me on May 4, 2010, at Kolkata

  34. 34.

    IPTA Central Dance Troupe’s Programme and Tour, Balraj Sahni, People’s Age, Sunday, January 13, 1946.

  35. 35.

    In an interview with me on May 4, 2010, at Kolkata.

  36. 36.

    Abani Dasgupta was a musician of the Central Squad. Da is a way of addressing the older men (often in the sense of brother but not necessarily).

  37. 37.

    ‘What a Tremendous Movement it was...’, Gul Bardhan, Seagull Theatre Quarterly, Issue 7, October 1995, p. 40.

  38. 38.

    However, it would be too far fetching to argue that all social normatives were questioned in the space of the commune. Heteronormative binaries were often not only unaddressed but rather in daily banality of activities, reinforced. I have in mind the accusation of Reba Roychoudhury, a performer of the Central Squad, in her autobiography ‘Jibaner Tane Shilper Tane’. She wrote about an occasion where she felt discriminated against by the General Secretary P.C. Joshi for not being good looking enough (not being of ‘fair’ skin like Preeti Banerjee).

  39. 39.

    Dhruv Gupta, Charer Doshok: Uttal Shomoy, Anushtup, Vol. 4, Anil Acharya (ed.), (1988) 5. (Translation from Bengali mine.)

  40. 40.

    In interview with Iqbal Masud, Indian Express, Bombay, June 6, 1992

  41. 41.

    Mulk Raj Anand, On the Progressive Writer’s Movement, In Marxist Cultural Movement in India, Sudhi Pradhan (ed.)

  42. 42.

    Sudhi Pradhan, Bharater Marxbadi Sanskriti Andolaner Prothom Joog, Gananatya (Dec 1989)

  43. 43.

    In Bharatiya Gananatya Shangher Itihas, Epic Theatre (April- May 1978)

  44. 44.

    In an interview taken by me on August 14, 2009, at Kolkata

  45. 45.

    In February 1944, the Calcutta Karukala Sangh organized an exhibition of Representations of the Destitutes. This included works by Adinath Mukhopadhyay, Indu Gupta, Bimal Majumdar, Shaila Chakraborty, Anil Mukhopadhyay and woodcuts by Ramendranath Chakraborty . Similarly many other visual artists, writers represented them in their work. For a detailed study, see A Matter of Conscience: Artists Bear Witness to The Great Bengal Famine of 1943, Nikhil Sarkar, trans. Satyabrata Dutta (Punascha, Calcutta, 2003).

  46. 46.

    Nemiji ke Sath Mera Natyanubhav, Rekha Jain, Rangkarm 2006- The Annual Magazine of IPTA, Raigarh (2006) 1–2. (translation from Hindi is mine)

  47. 47.

    P.C. Joshi, A Dedicated and Creative Life, in Balraj Sahni–An Intimate Portrait, P.C. Joshi (ed.) (Vikas Publishing House Pvt. Ltd., 1974), 63

  48. 48.

    At Bombay

  49. 49.

    Balraj Sahni—An Intimate Portrait by P.C. Joshi in A Dedicated and Creative Life, ed. P.C. Joshi (Vikas Publishing House Pvt. Ltd., 1974), 63–65

  50. 50.

    That included Alice Boner, Michael Chekhov, Mr and Mrs Leonard Elmhirst, John Martin, Jawaharlal Nehru, Sir Ferozkhan Noon, Sir Chinubhai Madhavlal Ranchhodlal, Romain Rolland, Sir William Rothenstein, Leopold Stokowski, Mr Whitney and Lady Daphne Straight and Rabindranath Tagore

  51. 51.

    Uday Shankar is a Bengali

  52. 52.

    Sudhi Pradhan, ‘Gananatya Sangho o Uday Shankar’, Gananatya, (October 1977)

  53. 53.

    Sunil Munshi interviewed by me at Kolkata on August 14, 2009

  54. 54.

    See Balibar, 25.

  55. 55.

    Ravi Shankar in the Second Souvenir of IPTA CS, Sudhi Pradhan (ed.), Marxist Cultural Movement in India: Chronicles and Documents, 1936–1947 (National Book Agency Pvt. Ltd., Kolkata, 1979), 383

  56. 56.

    Sudhi Pradhan (ed.), Marxist Cultural Movement in India: Chronicles and Documents (1936–1947) (National Book Agency Pvt. Ltd., Kolkata, 1979), 379, 386

  57. 57.

    Gananatya Katha, Sajal Roychoudhury (Mitra and Ghosh Publishers Pvt Ltd, Kolkata, 1990), 37

  58. 58.

    Talking about the party classes held to inform the members with the ideology of the party, Ravi Shankar writes—‘Those days I don’t know why the members of the squad would be very harsh while talking about Nehru (Jawaharlal Nehru)... Then one day I remember Rajni Palme Dutt came to speak in one of the meetings. That day I had some work for a film that I was doing. I could not be there for the speech. But when I came back I heard everything. He came and said you are making a mistake. You are not understanding what Nehru is trying to do... and similar other things he said. He actually praised Nehru a lot in the meeting. When I returned in the evening I heard a different tune from everyone. Everyone had suddenly got used to praising Nehru. I am saying this because I would find the vacillation of their love for things very strange’ (Raag Anuraag, Ravi Shankar, Ananda (Dec 2006), 127. (Translation from Bengali mine)

  59. 59.

    The CPI had made its positions clear earlier in 1942 in an article ‘National Unity Now’ published in People’s Age on August 8, by asserting that the Muslim League leadership was ‘playing an oppositional role vis-à-vis imperialism in a way somewhat analogous to the leadership of Indian National Congress itself...’

  60. 60.

    Pradhan, 383. 61. Ibid. 388

  61. 61.

    Sarkar (2006), 247

  62. 62.

    Comintern and the National and the Colonial Questions as quoted by Sudipta Kaviraj in The Heteronomous Radicalism of M.N. Roy. In Political Thought in Modern India, Thomas Pantham and Kenneth L. Deutsch (eds.) (Sage Publications, New Delhi, 1986)

  63. 63.

    Kaviraj (1986), 220–221

  64. 64.

    This was a movement initiated under the leadership of Mahatma Gandhi to resist the British Government in the 1920s.

  65. 65.

    Khilafat movement was started to create pressure on the British Government in order to protect the Ottomon Empire after WWI.

  66. 66.

    Sarkar (2006), 247–248

  67. 67.

    When in the early twentieth century, the question of ‘self- determination’ was often raised in the context of the colonial society, Rosa Luxemburg argued that in any class society to speak of self-determination for the people would ordinarily mean the ‘self-determination’ of the ruling classes. In The National Question: Selected Writings, Rosa Luxemburg (Aakar Books, Delhi, 2009).

  68. 68.

    Sarkar (2006), 374

  69. 69.

    It was a civil disobedience movement started in August 1942 asking the British Government to leave India.

  70. 70.

    In interview with me Preeti Banerjee talking about their performances in New Delhi recalls, ‘Sarojini Naidu used to watch our programme everyday. She used to specifically like the depiction of the history of India’. In Dhruvo Gupta, Charer Doshok Uttal Shomoy, Vol. 4, Anil Acharya (ed.), Anustup (1988), 8.

  71. 71.

    From Ritual to Theatre, Victor Turner, Performing Arts Journal, New York (1982), 47

  72. 72.

    Kersaw, The Politics of Performance: Radical Theatre as Cultural Intervention (Routledge, London and New York, 1992), 28

  73. 73.

    P.C. Joshi, A Dedicated and Creative Life, 69. 75

  74. 74.

    Bardhan (1995), 42

  75. 75.

    The Nizam of Hyderabad wanted an independent status as was enjoyed by the princely states during the independence of India. A movement was created called ‘Join India’ in order to include Hyderabad within the Indian nation against the Nizam’s wish. Peasants joined the movement under the leadership of CPI who wanted the abolition of the feudal system. In 1948 the Government of India with the help of the Indian Army assimilated Hyderabad into the nation in an operation called ‘Operation Polo’.

  76. 76.

    The Tebhaga movement was initiated by the Kisan Sabha in order to increase the share of crops of the peasants from the landowners. Tebhaga which literally means one third share was their demand that they would give to the landowners against the half of the crop share that they gave.

  77. 77.

    Sumit Sarkar (2006), 426

  78. 78.

    Ravi Shankar (2006), 127

  79. 79.

    In interview with me on May 4, 2010, at Kolkata.

  80. 80.

    In her interview with Khaled Choudhury (from the collection of Natyashodh Sansthan, Kolkata)

  81. 81.

    Sajal Roychoudhury, Gananatya Katha, 45

  82. 82.

    In interview with Pratibha Agarwal on August 28, 1984 (from the collection of Natyashodh Sansthan, Kolkata)

  83. 83.

    Edward M. Bruner, ‘Experience and its expressions’, in The Anthropology of Experience, Victor W. Turner et al. (ed.) (University of Illinois Press, 1986)

  84. 84.

    In interview with Pratibha Agarwal

  85. 85.

    Ibid.

  86. 86.

    In interview with the author in 2010

  87. 87.

    For Hume, freedom is not a property of human subjectivity. It does not distinguish human beings from other things—in that sense freedom is of/for all. The idea of freedom in its retreat from any discourse leaves a trace of itself. This freedom or liberality as he calls it expends itself, in the ‘gentle force’ called ‘the imagination’ and the imagination, true to its word, makes possible for the soul to perceive anything. In A Treatise of Human Nature by Hume as discussed by Peter Fenves in the Foreword to The Experience of Freedom, Jean Luc Nancy (Stanford University Press, California, 1993).

  88. 88.

    Reba Roychoudhury, Jibaner Tane Shilper Tane, 34

  89. 89.

    Ibid.

  90. 90.

    Gilles Deleuze et al., What is Philosophy? (Colombia University Press, 2003), 108

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Saha, S. (2018). The Commune-ist Air: The Case of the IPTA Central Squad. In: Theatre and National Identity in Colonial India. Springer, Singapore. https://doi.org/10.1007/978-981-13-1177-2_5

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