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Fieldwork in Singapore’s Music Scene: Reflections and Dimensions to Explore

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Abstract

This chapter reflects upon our fieldwork process and experiences, and shows how there is no absolute disjuncture between “real life” and the “field” and between researcher and research participant. Starting from the genesis of the research project, we trace how our research scope expanded to new music groups and how our concept of the field widened to include the spaces and situations outside of formal research moments. We argue that conventional interviews and positivist methodologies for data collection are neither “scientific” nor the best or only way to understand social life, by sharing the insights from anthropology’s reflexive turn and cultural critiques. When researchers set out to investigate people’s complex personal identities, it is crucial not to merely rely on respondent’s cognitive discourses, which certain interview methods tend to elicit. Indeed, tapping into one’s own subjectivity, by means of empathy, self-awareness, code-switching and sharing, is just as integral to gaining insights about people’s subjectivities and affects. The chapter also elaborates on the impact of information technology, in particular the Internet, on our subject of research, namely in relation to issues of creative transnationalism and the construction of virtual artistic identities. Lastly, we explore the importance of nonacademic practices of public engagement and giving back to the communities we study, as a means to access additional research insights and, more importantly, as an ethical duty.

Anthropology demands an open-mindedness with which one must look and listen, record in astonishment and wonder that which one would not have been able to guess.

(Margaret Mead 1977, p. ix)

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Notes

  1. 1.

    Refers to “Chinese, Malay, Indian and Other” ethnic communities in Singapore. See Chap. 2 for further discussion about this social classification.

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Correspondence to Juliette Yu-Ming Lizeray .

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Lizeray, J.YM. (2018). Fieldwork in Singapore’s Music Scene: Reflections and Dimensions to Explore. In: Semionauts of Tradition. Springer, Singapore. https://doi.org/10.1007/978-981-13-1011-9_8

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