Abstract
This chapter examines some key links among myths, tourism and nationalism in the context of “liquid modernity”. This is followed by an analysis of how domestic and foreign operators in Turkey try to authenticate their services, products and experiences with blend of traditional and modern codes. Though marketers mythologise Gallipoli as an “extraordinary place” of beauty and history, it’s aura is constantly disturbed by eerily picturesque cemeteries, ghostly trenches and solemn monuments that remind visitors of the gruesome war there in 1915–1916. I show how a transnational network of actors have combined the Gallipoli Campaign, the romantic-tragic, Greek swimming fable of Hero and Leander, and Lord Byron’s famous swim across the Dardanelles in 1810, to market the Dardanelles Strait Swimming Competition at Gallipoli. I outline how I conducted research with Australian and New Zealand tourists who participated in this swimming event by using a flexible research design with qualitative methods.
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Notes
- 1.
For an interactive comparison of Anzac Cove and Gallipoli in 1915 and 2015 see Bowers (2015).
- 2.
- 3.
For a short HD video of the run, see TRT World (2016).
- 4.
For HD images and a short video of the swim see Swimtrek (2017c).
- 5.
For a military funeral, haka see NZDefenceForce (2012).
- 6.
A poi performance involves women dancing and singing while rhythmically swinging balls attached to flax strings with their hands.
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McKay, J. (2018). Context and Perspective of the Study. In: Transnational Tourism Experiences at Gallipoli. Springer, Singapore. https://doi.org/10.1007/978-981-13-0026-4_5
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