Abstract
Vision is our direct association with the world. Our eyes help us to interact with our surrounding environment in many ways depending on the stimulus it receive from the outer world. Visual communication design has close connection with human vision factor. Indian cinema is defined by the films produced across the country in different languages and Hindi cinema is one of them. Across timeline, film posters have been one of the key modes of film advertisement and title design as its important component. Till early 1990s, before the arrival of digital technology in India, many film posters were designed by artists who never had a formal design education. Through this paper, an attempt has been made to see that, to what extent visual ergonomic issues have been considered in title design of popular Hindi cinema posters. Six key factors—reach, clearance, posture, strength, colour and positioning—have been used to assess the characteristics and ergonomic appropriateness of letters. Result shows that artists have given emphasis over these six factors to address the issue of readability and legibility along with visual appearance.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
References
Ahmed SA (1992) Bombay films: the cinema as metaphor for Indian society and politics. Mod Asian Stud 26(2):289–320
Bell J (2002) Calligraphy’s role in Hollywood: a look at handlettering and calligraphy in particular in the film industry. Retrieved 24 Sept 2015, from Jilbell.com: http://www.jillbell.com/images/PDFs/Calligraphy%20in%20Hollywood.pdf
Carter R, Day B, Meggs P (2002) Typographic design: form and communication. Wiley, Hoboken
Dwyer R (2005) 100 Bollywood films. British Film Institute, London
Dwyer R, Patel D (2002) Cinema India: the visual culture of Hindi film. Oxford University Press, New York
Matusitz J, Payano P (2012) Globalisation of popular culture: from hollywood to bollywood. South Asia Res 32:123–138
Mazumdar R (2003) The Bombay film poster. Seminar 525:33–41
Meggs PB (1992) Type and image: the language of graphic design. Van Nostrand Reinhold, New York
Rose G (2012) Visual methodologies, 3rd edn. Sage, Beverley Hills
Tannen R (2009) Ergonomics of typography. Retrieved 7 June 2015, from designing for humans. http://www.designingforhumans.com/idsa/2009/06/ergonomics-of-typography.html
Thoraval Y (2000) The cinemas of India (1896–2000). Macmillan India Limited, New Delhi
Zelanski P, Fisher MP (1996) Design principles and problems, 2nd edn. Thomson/Wadsworth, Belmont
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2018 Springer Nature Singapore Pte Ltd.
About this paper
Cite this paper
Shahid, M., Udaya Kumar, D. (2018). Study of Visual Ergonomic Issues in Title Design in Popular Hindi Cinema Posters. In: Ray, G., Iqbal, R., Ganguli, A., Khanzode, V. (eds) Ergonomics in Caring for People. Springer, Singapore. https://doi.org/10.1007/978-981-10-4980-4_42
Download citation
DOI: https://doi.org/10.1007/978-981-10-4980-4_42
Published:
Publisher Name: Springer, Singapore
Print ISBN: 978-981-10-4979-8
Online ISBN: 978-981-10-4980-4
eBook Packages: EngineeringEngineering (R0)