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Conclusion

  • Xuelin ZhouEmail author
Chapter
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Abstract

This Chapter offers a brief discussion of Zhang Yimou’s English-language blockbuster film The Great Wall (2016) which is Chinese cinema’s most thorough-going example of dialogue with Hollywood. This monster film represents his latest endeavor to cross the borders between art and market, style and content, tradition and modernity, local and global, East and West. The success of this attempt at crossing borders is likely to have a strong influence on the future of the Chinese film industry.

Keywords

Influence of hollywood Blockbuster Genre film Local and global 

References

  1. Braester, Y. (2015). The spectral return of cinema: Globalization and cinephilia in contemporary Chinese film. Cinema Journal, 55(1), 29–51.CrossRefGoogle Scholar
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  4. Wang, Y. (2009). Made in China, sold in the United States, and vice versa – transnational ‘Chinese’ cinema between media capitals. Journal of Chinese Cinemas, 3(2), 163–176.CrossRefGoogle Scholar

Copyright information

© The Author(s) 2017

Authors and Affiliations

  1. 1.University of AucklandAucklandNew Zealand

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