Abstract
This Chapter discusses Zhang Yimou’s series of live, light-and-sound spectacles which have been performed to large audiences across China. It explores their stylistic features and socio-cultural significance. Performed by the side of “mountains and/or waters”, these shows conform to Chinese landscape art theory and can thus provide a wide-ranging introduction to traditional Chinese aesthetics. In particular, the chapter considers the director’s attempt to integrate the classic artistic concept of yijing (meaning “poetic state”) with modern technology in order to tell Chinese stories in a way that can appeal to both domestic and international audiences.
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Zhou, X. (2017). Staging China: The Art of Yijing . In: Globalization and Contemporary Chinese Cinema. Palgrave Macmillan, Singapore. https://doi.org/10.1007/978-981-10-4328-4_5
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DOI: https://doi.org/10.1007/978-981-10-4328-4_5
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