Robots and Art pp 255-269 | Cite as

Machines That Make Art

Chapter
Part of the Cognitive Science and Technology book series (CSAT)

Abstract

Robots can make art. Based on simple rules and stigmergy it is possible to produce unique artworks that are at least partially independent from the human that triggers the process. I have coined it a “New kind of Art”.

References

  1. 1.
    Wiener N (1948) Cybernetics; or the control and communication in the animal and the machine. MIT PressGoogle Scholar
  2. 2.
    von Neumann (1966) Theory of self-reproducing automata. In: Burks AW (ed) University of IllinoisGoogle Scholar
  3. 3.
    Brooks R (1991) Intelligence without reason. In: Kauffmann M, Mateo S, Brooks R (eds) Proceedings of the 12th IJCAI, (2002) Flesh and machines: how robots will change US. Pantheon BooksGoogle Scholar
  4. 4.
    Langton C (1987) Proceedings of artificial life. Adison-WesleyGoogle Scholar
  5. 5.
    Wilson Edward O (2006) Nature revealed, selected writings 1949–2006. The Johns Hopkins University Press, BaltimoreGoogle Scholar
  6. 6.
    Grassé PP (1959) La réconstruction du nid et les coordinations inter-individuelles chez bellicositermes natalienses et cubitermes sp. La théorie de la stigmergie: Essai d’interpretation des termites constructeurs, Insectes Sociaux 6:41–48Google Scholar
  7. 7.
    Dorigo M, Stützle T (2004) Ant colony optimization. MIT press, Cambridge (For a description of this algorithm)Google Scholar
  8. 8.
    Moura L, Pereira HG (2004) Man and robots: symbiotic art. Institut d’Art Contemporain, VilleurbanneGoogle Scholar
  9. 9.
    Breton A (1969) Manifestoes of surrealism. University of Michigan PressGoogle Scholar
  10. 10.
    Jorn A (2001) Discours aux pingouins et autres écrits. Ed ENS des Beaux-Arts de ParisGoogle Scholar
  11. 11.
    Brooks RA (2002) Flesh and machines: how robots will change us. Pantheon BooksGoogle Scholar
  12. 12.
    Sadler S (1999) The situationist city. MIT PressGoogle Scholar
  13. 13.
    Lefebvre H (1968) La vie quotidienne dans le monde moderne. Gallimard, ParisGoogle Scholar
  14. 14.
    Lewitt S (1967) Paragraphs on conceptual art. ArtforumGoogle Scholar

Copyright information

© Springer Science+Business Media Singapore 2016

Authors and Affiliations

  1. 1.LisbonPortugal

Personalised recommendations