Abstract
At the beginning of Old English literature we find two types of poet: Widsith, the “far-traveller”, the wandering singer of the princes’ courts, and Caedmon, the monk versifying in his narrow cell. The first of these is a wholly fictitious personage, while from the second—of whose existence Bede’s well-known account gives assurance — there is preserved only a hymn of nine verses. Yet the two figures stand forth as typical representatives of the secular and the religious poetry of the Anglo-Saxons.
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References
Cf. Widsith, A Study in Old English Heroic Legend, by R. W. Chambers (Cambr. Univ. Press, 1912).
Vv. 135–43.
Cf. the articles Augustin and Bekehrungsgeschichte, in the Reallexikon der Germanischen Altertumskunde, ed. by J. Hoops.
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I translate from the text which is found in the Old English version of Bede.
Cf. Grein—Wülker, II, 318 ff.
Vv. 2024–95.
Cf. Grein—Wülker, II, 445 ff.
Vv. 446–60.
He safeguarded his conscious authorship by weaving in his name in runes at the end of both his saints’ legends, Juliana and Elene, and of the more lyric Ascension of Christy and Fata Apostolorum.
Exodus, vv. 155–65.
Cf. Grein—Wülker, II, 87 ff.
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Cf. Grein-Wülker, II, 476 ff.
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Vv. 409–32.
Cf. Grein—Wülker, II, 521–562.
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Vv. 11–18. 2) Vv. 1384–85.
Chapter 27.
Cf. Grein—Wülker, II, 294 ff.
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Vv. 571–74.
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Ed. Albert S. Cook, Clarendon Press, 1905.
Cf. Alois Brandl, Sitzimgsberichte der kön. preuss. Academie der Wissenschaften, XXXV, 1905.
Vv. 1–17.
Vv. 39–43.
Vv. 60–69.
Vv. 448–50.
Vv. 456–63.
Vv. 470–73.
Vv. 529–30.
Vv. 533–37.
Vv. 37–50.
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Christ, v. 32.
Cf. Grein-Wülker, III, 95 ff.
Bk. II, ch. 13.
Vv. 50–52.
Ascension of Christ (Christ II), vv. 856–63.
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Barnouw, A.J. (1914). Anglo-Saxon Christian Poetry. In: Anglo-Saxon Christian Poetry. Springer, Dordrecht. https://doi.org/10.1007/978-94-017-6314-1_1
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DOI: https://doi.org/10.1007/978-94-017-6314-1_1
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