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Part of the book series: Analecta Husserliana ((ANHU,volume 59))

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Abstract

“We know now that art is not the truth. Art is a lie which allows us to come closer to the truth, or at least one that is recognizable to us.”1 Is it possible to find a more suggestive contradiction than that between Pablo Picasso’s words above and Husserl’s aspiration for the absolute truth whose criterion was supposed to be apodictic obviousness? Still, did not Husserl himself write:

if one likes paradoxes it is possible really to say, especially if one comprehends the multiple meaning well, it is then possible to say in accordance with the truth that “fiction” is a source of phenomenology as well as of any eidetic discipline, that “fiction” is a source from which cognition of “eternal truths” stems.2

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Notes

  1. Mieczysiaw Porçbski, Kubizm. Wprowadzenie do sztuki XX wieku [Cubism. Introduction to the 20th century art] (Warsaw: 1966), p. 6.

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  2. Edmund Husserl, Idee czystej fenomenologii i fenomenologicznej filozofii. Ks. 1 [The ideas of pure phenomenology and phenomenological philosophy] (Warsaw: 1967), p. 222.

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  3. Hans Reiner Sepp, “Annaeherungen an die Wirklichkeit. Phaenomenologie und die Malarei nach 1990,” in Edmund Husserl und die phaenomenologische Bewegung. Zeugnisse in Text und Bild, ed. H. R. Sepp (Munich: 1988), pp. 77–93.

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  4. Ksawery Piwocki, “Husserl i Picasso” [Husserl and Picasso], Estetyka 3 (1963), pp. 3–22.

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  5. Ibid., pp. 16–17.

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  6. Ibid., p. 17.

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  7. Ibid., pp. 17–18.

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  8. Ibid., p. 9ff.

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  9. See Porqbski, Kubizm, op. cit.,pp. 51–53; Elkbieta Grabska, Apollinaire i teoretycy kubizmu w latach 1908–1918 [Apollinaire and the theoreticians of Cubism in 1908–1918] (Warsaw: 1966), pp. 74–79.

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  10. Porgbski, Kubizm, op. cit.,pp. 45–62; Mieczysiaw Porçbski, Kubizm, Futuryzm [Cubism, Futurism] (sine loco Centralne Biuro Wysiaw Artystycznych, sine anno), pp. 3–27; idem., “U poczgtków sztuki wspóiczesnej” [The roots of the contemporary art], Materialy do Studiów i Dyskusji z Zakresu Teorii i Historii Sztuki, Krytyki Artystycznej oraz Badari nad Sztukq 6, Nos. 1–2 (1955), pp. 165–196.

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  11. Idem., Kubizm, Futuryzm, p. 14.

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  12. As quoted in ibid., p. 15.

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  13. As quoted in ibid., pp. 15–16.

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  14. Ibid., p. 16.

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  15. Porçbski, “U pocza]ków sztuki wspótczesnej,” op. cit., p. 180.

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  16. Porçbski, Kubizm, op. cit.,p. 62.

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  17. See Adam Kotula, Piotr Krakowski, Rzeíba wspó#czesna [Modern sculpture] (Warsaw: 1985), p. 83.

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  18. As quoted in Adam Kotula, Piotr Krakowski, O nowej rzeíbie [Of new sculpture] (Krakow, 1961), pp. 5–6.

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  19. See Tadeusz Tomaszewski, ed., Psychologia [Psychology] (Warsaw: 1978), pp. 226–246; Wtodzimierz Szewczuk, Atlas psychologiczny [Dictionary of psychology] (Warsaw: 1979), pp. 110–117.

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  20. See Kotula and Krakowski, O nowej rzeíbie, op. cit., pp. 24–25; idem., Rzeíba wspòiczesna, p. 86.

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  21. See ibid., pp. 82–92.

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  22. Ibid., p. 87.

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  23. Ibid., pp. 88–89.

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  24. As quoted in ibid., p. 89.

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  25. As quoted in ibid., p. 94.

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  26. See Antoine Pevsner, Naum Gabo, Manifest realistyczny [Realist manifesto]; Henry Moore, “Uwagi o rzeíbie” [Remarks on sculpture]; Elibieta Grabowska, Hanna Morawska, Artysci o sztuce. Od van Gogha do Picassa [Artists on art. From van Gogh to Picasso] (Warsaw: 1969), pp. 334–340, 448–458.

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  27. Andrzej Osçka, “Przemiany formy” [The changes of form], Andrzej Osçka, Wojciech Skrodzki, Wspófczesna rzeíba polska [Contemporary Polish sculpture] (Warsaw: 1977), P. 7.

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  28. Ibid., p. 8.

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  29. See Stanislaw Judycki, “Niektóre problemy husserlowskiej teorii konstytucji przestrzeni” [Some issues in Husserl’s theory of space constitution], Roczniki Filozoficzne XXIX, 1 (1981), pp. 125–163; Andrzej Póttawski, Swiat, spostrzeienie, swiadomosc’ Fenomenologiczna koncepcja.rwiadomosci a realizm [The world, cognition, consciousness. Phenomenological concept of consciousness and realism] (Warsaw: 1973), pp. 152, 272–274.

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  30. Husserl, Idee…,ks. 1, op. cit., p. 134.

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  31. Ibid., p. 88.

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  32. See Roman Ingarden, O poznawaniu dziela literackiego [On the knowledge of a literary work] (Warsaw: 1976), pp. 173–182; Wyklady i dyskusje z estetyki [Lectures and discussions in aesthetics] (Warsaw: 1981), p. 67.

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  33. See Edmund Husserl, Idee…, ks. 2 (Warsaw: 1974), p. 93; Medytacje kartezjafiskie [Carthesian meditations] (Warsaw: 1982), pp. 172–176, 195–186, 202.

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© 1999 Springer Science+Business Media Dordrecht

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Majewska, Z. (1999). Phenomenology and Cubist Space. In: Tymieniecka, AT. (eds) Life Scientific Philosophy, Phenomenology of Life and the Sciences of Life. Analecta Husserliana, vol 59. Springer, Dordrecht. https://doi.org/10.1007/978-94-017-2079-3_16

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  • DOI: https://doi.org/10.1007/978-94-017-2079-3_16

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  • Print ISBN: 978-90-481-5057-1

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