Abstract
In Emilia we find some other centres of painting besides those of Rimini, Modena and Bologna, but they are much less important and their productions are not always sufficiently characteristic for us to classify them.
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References
Barufaldi, Vite de’ pittori e scultori ferrarese, 2 vols, Ferrara, 1844.
Laderchi, La pittura ferrarese, Ferrara, 3856.
The Same, Catalogo istorico dei pittori ferraresi, Ferrara, 2 vols.
Cittadella, Documenti riguardanti la storia artistica di Ferrara, 1866.
E. G. Gardner, The Painters of the School of Ferrara, London, 1901.
Lanzi dwells at some length on this painter, v. Crowe and Cavalcaselle, op. cit., p. 214, and the artist Gelasio in Thieme-Becker, Künstler Lexikon, XIII, p. 357.
Vasari-Milanesi, I, p. 388.
Crowe and Cavalcaselle, op. cit., p. 215.
Vasari-Milanesi, II, p. 139 et seq. The biographer informs us that the belief existed that Galasso painted with oil colours. Perhaps he confounds with this artist, the Ferrarese painter, Galassi, of the following generation, an account of whose life he gives only in the first edition (Vasari-Milanesi, III, p. 89); in the others it is replaced by that of the older Galasso.
Brach, op. cit, p.52, v. also G. Agnelli, Ferrara e Pomposa, Bergamo, 1906, p. 102.
Agnelli, op. cit., p. 34.
Crowe and Cavalcaselle, op. cit., III, p. 215-16.
A. Messeri e A. Calzi, Faenza nella storia e nell’arte Faenza, 1909,p.381.
Vasari-Milanesi, I p. 404.
Vasari-Milanesi, I,p. 405.
Crowe and Cavalcaselle, ed. E. Hutton, I,p. 317 note. (3) Idem, p. 317. Brach, op. cit., p. i 17.
L. Testi,Le Baptistère de Parme, Florence, 1916, p. 247 et seq
Rosini, Storia della pittura italiana, I, p. 206. Thieme-Becker,Künstler Lexikon, II, p. 557.
Rosini,op. cit., I, p. 206. Testi, op. cit., p. 253.
G. Bertoni e E. P. Vicini, Niccolo da Reggio, Rassegna d’Arte, 1903, p. 158.
The names of several Parmesan painters of the 14th century are mentioned in Le Gallerie Nazionali Italiane, I, p. 21. L. Testi, Bolletino d’Arte, 1910, p. 57 note 3, informs us in a general manner that 14th century paintings are to be found in the churches and castles around Parma, but these are entirely unknown to me.
Rosini, op. cit., II, p. 53. Toesca, La pittura lombarda, p. 392.
Toesca, op. cit., p. 393.
Toesca, op. cit., p. 144.
Toesca, op. cit., p. 15o.
Rosini, op. cit., II, p. 223.
G. Bertuzzi, La badia di Chiaravalle della Colomba e gli affreschi recentemente scoperti, L’Arte, 1003, p. 306.
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© 1924 Springer Science + Business Media B.V.
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Van Marle, R. (1924). Painting in Ferrara and Other Little Centres in Emilia. In: The Development of the Italian Schools of Painting. Springer, Dordrecht. https://doi.org/10.1007/978-94-015-3437-6_7
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DOI: https://doi.org/10.1007/978-94-015-3437-6_7
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