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Abstract

In Europe when one speaks of copyright one refers to statutory protection of literary and artistic creations. 1 It does not make any difference whether the work is published or in the form of a manuscript, not yet revealed to the public, although the place of publication may be relevent. 2 In the United States authors had rights in their unpublished works prior to the passage of any legislation by Congress providing for uniform nation-wide protection. 3 This can be traced to the common law of England, 4 existing prior to the American Revolution, which the individual states of the United States adopted, subject to some modifications, as their own common law.

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© 1954 Martinus Nijhoff, The Hague, Holland

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Rothenberg, S. (1954). American Copyright and Common Law. In: Copyright and Public Performance of Music. Springer, Dordrecht. https://doi.org/10.1007/978-94-015-0509-3_2

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  • DOI: https://doi.org/10.1007/978-94-015-0509-3_2

  • Publisher Name: Springer, Dordrecht

  • Print ISBN: 978-94-015-0037-1

  • Online ISBN: 978-94-015-0509-3

  • eBook Packages: Springer Book Archive

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