Abstract
In Europe when one speaks of copyright one refers to statutory protection of literary and artistic creations. 1 It does not make any difference whether the work is published or in the form of a manuscript, not yet revealed to the public, although the place of publication may be relevent. 2 In the United States authors had rights in their unpublished works prior to the passage of any legislation by Congress providing for uniform nation-wide protection. 3 This can be traced to the common law of England, 4 existing prior to the American Revolution, which the individual states of the United States adopted, subject to some modifications, as their own common law.
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© 1954 Martinus Nijhoff, The Hague, Holland
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Rothenberg, S. (1954). American Copyright and Common Law. In: Copyright and Public Performance of Music. Springer, Dordrecht. https://doi.org/10.1007/978-94-015-0509-3_2
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DOI: https://doi.org/10.1007/978-94-015-0509-3_2
Publisher Name: Springer, Dordrecht
Print ISBN: 978-94-015-0037-1
Online ISBN: 978-94-015-0509-3
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