Abstract
Once the moral barriers were let down, a spirit of reckless abandon took possession of the younger generation. Acts of violence increased ominously, sespecially in the large cities. It the Profumo affair created a national scandal by its revelation of sexual immorality in high places, the Moors Case called forth a reaction of horror at its disclosure of the psychopathology of the Sexual life,the underground connection between sadism and sexuality. Here was mostous evidence that the nihilistic infectionof evil was a reality. Ian Brady, a store clerk, and Esther Myra Hindley, twenty-three years old, has prepetrated a series of ghastly child murders between 1963 and 1965, but felt no remorse about their past deed. They must have spent many hours talking “about the books, over fifty volumes of sado-masochism, titillative pornography torture and Nazism, which last Brady amd Hindley so much admired.”2.What was of compelling interest to the prosecution was the fact that the Brady and JHindley emulated the example of their patron saint, the Marquis de Sade.
In a well-regulated society— or perhaps in some Utopia of the future—men and women will spend their twenties in pleasant and casual relationships, spending much time together, sometimes making love, each learning to penetrate the secret of the opposite sex, to understand its essential nature. When they meet the person who can most deeply fulfill their needs, they will marry, and the marriage will have a solid foundation.1
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References
Colin Wilson, Voyage to a Beginning. New York: Crown Publishers, Inc., 1969, p. 282.
Pamela Hansford Johnson, On Iniquity. New York: Charles Scribner’s Sons, 1967, p. 17.
Ibid., p. 26.
“Far from being a sign of strength, Don Juanism may indicate a lack of basic self-belief. The men who feel unable to assert themselves among men, do so among women. The unusual or talented man, who is still not unusual enough to make his mark as a creator, a thinker, a soldier, turns to sexual conquest to achieve self-respect. Among men of genuine talent, Don Juanism is frequently an early stage, before more serious work claims their energy.” Colin Wilson, The Origins of the Sexual Impulse. New York: G. P. Putnam’s Sons, 1963, p. 42.
Ibid., p. 17.
Ibid., p. 44.
Ibid., p. 46.
Colin Wilson, “Some Comments on the Beats & Angries.” The Outsider, Vol. I, Number 1, Fall, 1961, p. 58.
Colin Wilson, Voyage to a Beginning, p. 261.
Colin Wilson and Patricia Pitman (eds.), Encyclopedia of Murder. New York: G. P. Putnam’s Sons, 1961, p. 25.
Ibid., p. 28.
Ibid., p. 31.
Ibid., p. 36.
Ibid., p. 37.
Colin Wilson, Ritual in the Dark. Boston: Houghton Mifflin Company, 1960, p. 14.
From the start of his literary career, Colin Wilson looked upon himself as a writer “whose lifelong task would be to investigate the problem of the meaning of human existence.” Colin Wilson, Voyage to a Beginning, p. 48.
Colin Wilson, Ritual in the Dark, p. 40.
Ibid., p. 40.
Ibid., p. 67.
Ibid., p. 92.
Ibid., p. 134.
Ibid., pp. 139-140.
Ibid., p. 221.
Ibid., p. 241.
Ibid., p. 244.
Ibid., p. 254.
Ibid., p. 294.
Ibid., p. 327.
Ibid., p. 328.
Ibid., p. 328.
Ibid., p. 366.
Ibid., p. 375.
Ibid., pp. 437-438.
Colin Wilson, The Violent World of Hugh Greene. Boston: Houghton Mifflin Company, 1963, p. 133.
Ibid., p. 203.
Ibid., p. 216.
Ibid., p. 217.
Ibid., p. 219.
Ibid., p. 219.
Ibid., p. 265.
Ibid., p. 266.
Colin Wilson, Necessary Doubt. New York: Trident Press, 1964, no pagination.
Ibid., p. 144.
Ibid., p. 144.
Kenneth Allsop, The Angry Decade. New York: British Book Centre, 1958, p. 154. To complete the picture, we must note that the novel, Lingard, is another study of the psychopatic sexual criminal. Though it is presented as a case history told by a psychiatrist, it reads like a sensational sex-thriller. Wilson does not deny that much of the material it contains is shocking. The protagonist, Arthur Lingard, wanted to become the Napoleon of the world of crime, a supercriminal. The psychiatrist is mistaken in his early diagnosis that Lingard’s “fascination with crimes was basically sexual.” (Colin Wilson, Lingard. New York: Crown Publishers, 1970, p. 134.) The truth is that Lingard is a monster, a rapist who is driven to commit murder.
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© 1973 Martinus Nijhoff, The Hague, Netherlands
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Glicksberg, C.I. (1973). Sex and Sadism. In: The Sexual Revolution in Modern English Literature. Springer, Dordrecht. https://doi.org/10.1007/978-94-011-9548-5_11
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DOI: https://doi.org/10.1007/978-94-011-9548-5_11
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