Skip to main content
  • 104 Accesses

Abstract

Once the moral barriers were let down, a spirit of reckless abandon took possession of the younger generation. Acts of violence increased ominously, sespecially in the large cities. It the Profumo affair created a national scandal by its revelation of sexual immorality in high places, the Moors Case called forth a reaction of horror at its disclosure of the psychopathology of the Sexual life,the underground connection between sadism and sexuality. Here was mostous evidence that the nihilistic infectionof evil was a reality. Ian Brady, a store clerk, and Esther Myra Hindley, twenty-three years old, has prepetrated a series of ghastly child murders between 1963 and 1965, but felt no remorse about their past deed. They must have spent many hours talking “about the books, over fifty volumes of sado-masochism, titillative pornography torture and Nazism, which last Brady amd Hindley so much admired.”2.What was of compelling interest to the prosecution was the fact that the Brady and JHindley emulated the example of their patron saint, the Marquis de Sade.

In a well-regulated society— or perhaps in some Utopia of the future—men and women will spend their twenties in pleasant and casual relationships, spending much time together, sometimes making love, each learning to penetrate the secret of the opposite sex, to understand its essential nature. When they meet the person who can most deeply fulfill their needs, they will marry, and the marriage will have a solid foundation.1

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 74.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  1. Colin Wilson, Voyage to a Beginning. New York: Crown Publishers, Inc., 1969, p. 282.

    Google Scholar 

  2. Pamela Hansford Johnson, On Iniquity. New York: Charles Scribner’s Sons, 1967, p. 17.

    Google Scholar 

  3. Ibid., p. 26.

    Google Scholar 

  4. “Far from being a sign of strength, Don Juanism may indicate a lack of basic self-belief. The men who feel unable to assert themselves among men, do so among women. The unusual or talented man, who is still not unusual enough to make his mark as a creator, a thinker, a soldier, turns to sexual conquest to achieve self-respect. Among men of genuine talent, Don Juanism is frequently an early stage, before more serious work claims their energy.” Colin Wilson, The Origins of the Sexual Impulse. New York: G. P. Putnam’s Sons, 1963, p. 42.

    Google Scholar 

  5. Ibid., p. 17.

    Google Scholar 

  6. Ibid., p. 44.

    Google Scholar 

  7. Ibid., p. 46.

    Google Scholar 

  8. Colin Wilson, “Some Comments on the Beats & Angries.” The Outsider, Vol. I, Number 1, Fall, 1961, p. 58.

    Google Scholar 

  9. Colin Wilson, Voyage to a Beginning, p. 261.

    Google Scholar 

  10. Colin Wilson and Patricia Pitman (eds.), Encyclopedia of Murder. New York: G. P. Putnam’s Sons, 1961, p. 25.

    Google Scholar 

  11. Ibid., p. 28.

    Google Scholar 

  12. Ibid., p. 31.

    Google Scholar 

  13. Ibid., p. 36.

    Google Scholar 

  14. Ibid., p. 37.

    Google Scholar 

  15. Colin Wilson, Ritual in the Dark. Boston: Houghton Mifflin Company, 1960, p. 14.

    Google Scholar 

  16. From the start of his literary career, Colin Wilson looked upon himself as a writer “whose lifelong task would be to investigate the problem of the meaning of human existence.” Colin Wilson, Voyage to a Beginning, p. 48.

    Google Scholar 

  17. Colin Wilson, Ritual in the Dark, p. 40.

    Google Scholar 

  18. Ibid., p. 40.

    Google Scholar 

  19. Ibid., p. 67.

    Google Scholar 

  20. Ibid., p. 92.

    Google Scholar 

  21. Ibid., p. 134.

    Google Scholar 

  22. Ibid., pp. 139-140.

    Google Scholar 

  23. Ibid., p. 221.

    Google Scholar 

  24. Ibid., p. 241.

    Google Scholar 

  25. Ibid., p. 244.

    Google Scholar 

  26. Ibid., p. 254.

    Google Scholar 

  27. Ibid., p. 294.

    Google Scholar 

  28. Ibid., p. 327.

    Google Scholar 

  29. Ibid., p. 328.

    Google Scholar 

  30. Ibid., p. 328.

    Google Scholar 

  31. Ibid., p. 366.

    Google Scholar 

  32. Ibid., p. 375.

    Google Scholar 

  33. Ibid., pp. 437-438.

    Google Scholar 

  34. Colin Wilson, The Violent World of Hugh Greene. Boston: Houghton Mifflin Company, 1963, p. 133.

    Google Scholar 

  35. Ibid., p. 203.

    Google Scholar 

  36. Ibid., p. 216.

    Google Scholar 

  37. Ibid., p. 217.

    Google Scholar 

  38. Ibid., p. 219.

    Google Scholar 

  39. Ibid., p. 219.

    Google Scholar 

  40. Ibid., p. 265.

    Google Scholar 

  41. Ibid., p. 266.

    Google Scholar 

  42. Colin Wilson, Necessary Doubt. New York: Trident Press, 1964, no pagination.

    Google Scholar 

  43. Ibid., p. 144.

    Google Scholar 

  44. Ibid., p. 144.

    Google Scholar 

  45. Kenneth Allsop, The Angry Decade. New York: British Book Centre, 1958, p. 154. To complete the picture, we must note that the novel, Lingard, is another study of the psychopatic sexual criminal. Though it is presented as a case history told by a psychiatrist, it reads like a sensational sex-thriller. Wilson does not deny that much of the material it contains is shocking. The protagonist, Arthur Lingard, wanted to become the Napoleon of the world of crime, a supercriminal. The psychiatrist is mistaken in his early diagnosis that Lingard’s “fascination with crimes was basically sexual.” (Colin Wilson, Lingard. New York: Crown Publishers, 1970, p. 134.) The truth is that Lingard is a monster, a rapist who is driven to commit murder.

    Google Scholar 

Download references

Authors

Rights and permissions

Reprints and permissions

Copyright information

© 1973 Martinus Nijhoff, The Hague, Netherlands

About this chapter

Cite this chapter

Glicksberg, C.I. (1973). Sex and Sadism. In: The Sexual Revolution in Modern English Literature. Springer, Dordrecht. https://doi.org/10.1007/978-94-011-9548-5_11

Download citation

  • DOI: https://doi.org/10.1007/978-94-011-9548-5_11

  • Publisher Name: Springer, Dordrecht

  • Print ISBN: 978-94-011-8712-1

  • Online ISBN: 978-94-011-9548-5

  • eBook Packages: Springer Book Archive

Publish with us

Policies and ethics