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The Methodological Foundations of Phenomenological Aesthetics

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New Queries in Aesthetics and Metaphysics

Part of the book series: Analecta Husserliana ((ANHU,volume 37))

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Abstract

It is not the purpose of this study to rethink the phenomenological method itself, but to consider the way it is applied to the field of aesthetics, and to bring out the main problems and results of that application. In other words, we shall attempt to review the methodological foundations on which phenomenological aesthetics relies when confronting art phenomena.

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Notes

  1. E. Husserl, “Phenomenology,” in Husserl’s Shorter Works, Peter McCormick and Frederick Eliston, eds. (Notre Dame, Indiana: University of Notre Dame Press, 1981), p. 22f.

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  2. Maurice Merleau-Ponty, The Prose of the World, ed. Claude Lefort, trans. John O’Neill (London: Heinmann Educational Books, 1973), p. 12.

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  3. Roman Ingarden, “Artistic and Aesthetic Values,” in The British Journal of Aesthetics,Vol. 4, No. 3, 1964, 201.

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  4. Mikel Dufrenne, The Phenomenology of Aesthetic Experience, trans. Edward, C.et al. (Evanston: Northwestern University Press, 1973), p. liii.

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  5. Ludwig Landgrebe, “The Phenomenological Concept of Experience,” Philosophy and Phenomenological Research, Vol. 34, No. 1, 1973, p. 5.

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  6. M. Merleau-Ponty, Phenomenology of Perception, trans. Colin, S. (New York: Humanities Press, 1962), p. vii.

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© 1991 Springer Science+Business Media Dordrecht

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Tawfik, S. (1991). The Methodological Foundations of Phenomenological Aesthetics. In: Tymieniecka, AT. (eds) New Queries in Aesthetics and Metaphysics. Analecta Husserliana, vol 37. Springer, Dordrecht. https://doi.org/10.1007/978-94-011-3394-4_9

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  • DOI: https://doi.org/10.1007/978-94-011-3394-4_9

  • Publisher Name: Springer, Dordrecht

  • Print ISBN: 978-94-010-5501-7

  • Online ISBN: 978-94-011-3394-4

  • eBook Packages: Springer Book Archive

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