Abstract
Allegory is a manner of speaking or, more appropriately, a technique of writing in which the narrative “obviously and continuously” refers to another “simultaneous” and consistent “structure of events or ideas”.1 In the literal sense of the original Greek word allegory, we are using a “speaking-the-other” technique (Greek: allos = other; agoreunein = to speak publicly). The allegorist is consistently pursuing another narrative which, at the same time, on a second level of understanding, extends clearly beyond the obvious surface meaning of the first.
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Notes
Walter Jackson Bate, The Achievement of Samuel Johnson (New York: Oxford University Press, 1955), p. 56.
Albert Camus, Lyrical and Critical Essays, ed. by Philip Thody and trans. by Ellen Conroy Kennedy (New York: Random House, 1970), p. 357.
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© 1994 Springer Science+Business Media Dordrecht
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Rudnick, H.H. (1994). Camus’ Caligula: An Allegory?. In: Tymieniecka, AT. (eds) Allegory Revisited. Analecta Husserliana, vol 41. Springer, Dordrecht. https://doi.org/10.1007/978-94-011-0898-0_15
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DOI: https://doi.org/10.1007/978-94-011-0898-0_15
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