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The Diffusion of Renaissance Platonism

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The Posthumous Life of Plato
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Abstract

The dispute between the Platonists and the Aristotelians, which had been provoked by Gemistus Pletho and then settled, the philosophy and literary work of Marsilio Ficino, the Florentine Academy, the reconciliation of the antique philosophy with Christianity, these all are parts of that Platonism which formed the main trend of the philosophy of the Renaissance, apart from the continuation of medieval Scholasticism and philosophic natural science. It was connected with the Humanist interest in classic Antiquity and profoundly influenced religion, arts and the political theory of Renaissance times. It was not a simple revival of Platonism and Neo-Platonism, but mainly a new conception of the question of God, man and the world, which harmonised with previous medieval thought and was important for the further history of European culture.

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  69. This book was published in Venice in 1541, a second time — and I quote from this edition — in 1558, and then several times more. A Latin translation was also published there in 1564. It was also translated into Spanish and French (Lugduni 1551).

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  118. I. e. “men recently born from gods” (Seneca, Epist. 90, 44). There is a reminiscence of Montaigne’s description of the life of the Cannibals in Shakespeare’s Tempest II, I, v. 143–168, wherein Gonzalo describes how he would arrange matters, if he were the king of the island. About this cf. F. Chudoba, Kniha o Shakespearovi (= Book on Shakespeare) I, p. 770 seq.

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  119. Quoted by Nesca A. Robb, Neoplatonism of the Italian Renaissance (London 1935), p. 223.

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  120. Quoted by Nesca A. Robb, ibid., p. 214. n.l.

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  121. The verses are cited by A. della Torre in the aforesaid book, p. 700.

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  122. Se above p. 389.

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  123. Walter Mönch stressed the relation between the sonnet and Platonism in a lecture, a summary of which was printed in the publication of the Association G. Budé, Congrès de Tours et Poitiers, Actes du Congrès (Paris 1954), p. 376–380.

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  124. Menéndez y Pelayo, Historia de las ideas estéticas en España, III, vol., 4 th ed. (Madrid 1930), p. 91, where this ode is printed.

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  125. Menéndez y Pelayo, ibid., p. 95.

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  126. The first of the many editions was published in Florence in 148l.

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  127. Josef Bukáček, The poet Michelangelo in the book Michelangelo titan a člověk (= Michelangelo the Titan and Man), (Prague 1941).

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  128. Ascanio Condivi, Vita di Michel-Angelo Buonarroti (Roma 1553).

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  129. Cited by Romain Rolland, Vie de Michel-Ange, 10 ed. (Paris), p. 124.

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  130. Josef Bukáček, ibid., p.163.

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  131. I quote from the edition of Lannau — Rolland (Paris 1863).

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  132. Cited according to the translation of J. A. Symonds (London 1878).

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  133. “L’arte e la morte non va bene insieme”, Michelangelo’s sentence, pronounced not long before his death.

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  134. Cf., above p. 389.

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  135. Walter Mönch deals with this poem, Die Italienische Platonrenaissance... (Berlin 1936), p. 234–332.

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  136. Walter Mönch deals extensively with both these poems in the a foresaid book, p.339–347.

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  137. Cf. above p. 389.

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  138. Walter Mönch in the aforesaid book, p. 353 seq. The monograph R. W. Merrill, The Platonism of Joachim du Bellay (dissert. univ. Chicago 1923) was for me not available.

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  139. Monograph for the 16th and 17th century: John Smith Harrison, Platonism in English Poetry of the sixteenth and seventeenth Centuries (New York 1915). I adopt evidence about Spenser from this book.

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  140. Harrison, ibid., p. 109 seq.

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  141. Harrison, ibid., p. 122.

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  142. This translation made from the Latin version was brought out in 1592 by Cuthbert Burby in London, who named as its author Edw. Spenser. It was lost for a long time until it was discovered in modern times, ascribed to the poet Edmund Spenser and published with an introduction and notes by F. M. Padelford (Baltimore 1934).

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  143. Quoted by Paul Shorey, Platonism Ancient and Modern (Berkeley 1938), p. 143.

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  144. Friedrich Dannenberg, Das Erbe Piatons in England bis zur Bildung Lylys (Berlin 1932), p. 156 seq.

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  145. Ibid., p. 169.

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  146. Richard Simpson, Introduction to the Philosophy of Shakespeare’s Sonnets (London 1868), saw in the Sonnets a statement of Shakespeare’s philosophy derived from Plato’s opinions, as Shakespeare had learned them from the contemporary Italian poets and essayists. I quote this from F. Chudoba, Kniha o Shakespearovi I (= Book about Shakespeare), (Prague 1941), p. 419.

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  147. F. Chudoba, ibid. II (Prague 1943). p.66.

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  148. They are quoted by Paul Shorey, ibid., p.177–182.

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  149. One can find the reproduction in the book Dürer, des Meisters Gemälde, Kupferstiche und Holzschnitte, mit einer biographischen Einleitung von Dr. Valentin Scherer, 2nd ed. (Stuttgart und Leipzig 1906), p. 192.

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  150. Giorgio Vasari, Le vite dei più celebri pittori, scultori e architetti, ed. Adriano Solani, Firenze, 4th ed., p. 556. Vasari does not name this picture “The Athenian School”.

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  151. This controversy is related by Kraus, ibid., p. 389–411.

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  152. Anton Springer, Raffael und Michelangelo (1877, 3rd ed. 1895).

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  153. In the commented translation of Vasari’s Raphael (1872) and in the short polemical writing Zur Abwehr gegen Herrn Prof. Springers Raphaelstudien (1873).

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  154. André Chastel, Le platonisme et les arts à la Renaissance (Association G. Budé, Congrès de Tours et Poitiers, Actes du congrès, Paris 1954), p. 401.

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© 1977 František Novotný — Ludvík Svoboda

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Novotný, F. (1977). The Diffusion of Renaissance Platonism. In: Svoboda, L., Barton, J.L. (eds) The Posthumous Life of Plato. Springer, Dordrecht. https://doi.org/10.1007/978-94-009-9704-2_21

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  • DOI: https://doi.org/10.1007/978-94-009-9704-2_21

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  • Print ISBN: 978-94-009-9706-6

  • Online ISBN: 978-94-009-9704-2

  • eBook Packages: Springer Book Archive

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