Abstract
The quest of this paper is the quest for the human soul, as I believe Rembrandt understood the human soul to be. As I am not an art historian, I shall have to show that one may find the human soul as a painter saw it by relating art history to the history of political philosophy. Just as in the history of political philosophy there are regions, times, and influences, yet each political philosopher must be one in his own right, so it may be in the history of art. There is, however, an important difference. Philosophy has known but one revolution in its tools: a methodological “logical” one. Of course, there is the invention of the printing press; but that has probably enabled men to pass as philosophers who, as Rousseau said, “In the days of the League would be known only as fanatics.” Art has known several, perhaps many revolutions: canvas, chiaroscuro, the use of shadow to make a rounded figure, and so on. Seldom is there reversion, at least a formal one. Perhaps Cezanne has something in common with antiquity, but not technically. Perhaps Cézanne is closer to the classics than Rembrandt, which does not make him a better painter.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Rights and permissions
Copyright information
© 1978 Martinus Nijhoff, The Hague, Netherlands
About this chapter
Cite this chapter
White, H.B. (1978). Rembrandt and the Human Condition. In: Antiquity Forgot. International Archives of the History of Ideas Archives, vol 90. Springer, Dordrecht. https://doi.org/10.1007/978-94-009-9663-2_8
Download citation
DOI: https://doi.org/10.1007/978-94-009-9663-2_8
Publisher Name: Springer, Dordrecht
Print ISBN: 978-94-009-9665-6
Online ISBN: 978-94-009-9663-2
eBook Packages: Springer Book Archive