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The Century after Hegel

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Heidegger on Art and Art Works

Part of the book series: Phaenomenologica ((PHAE,volume 99))

Abstract

After these long digressions, we can now again return to Heidegger’s own essay, “Six Basic Developments in the History of Aesthetics”.1 In it Heidegger says that in the modern era art begins to lose its immediate relation to the basic task of presenting the absolute in the history of man. Thus concurrent with the foundation of aesthetics we see the decline of great art.

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Notes

  1. N, I, 101–108 (85–90).

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  2. Hegel, Werke (Jubiläumausgabe), ed. by H.G. Glockner, 26 vols. (Stuttgart: F. Fromman, 1927–1939), Vol. X, 2, p. 233).

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  3. Ibid., Vol. X, 1, p. 16.

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  4. Ibid., Vol. X, 1, pp. 15–16.

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  5. N, I, 100–102 (84–85).

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  6. Richard Wagner, Die Kunst und die Revolution (1849), in Sämtliche Schriften und Dichtungen (Leipzig: Breitkopf & Härtel, 1871ff.), Vol. III, pp. 8–41; Das Kunstwerk der Zukunft (1850), Ibid., Vol. III, pp. 42–177; Oper und Drama (1853), Ibid., Vol. III, pp. 222–320 and Vol. IV, pp. 1–299; Deutsche Kunst und deutsche Politik (1865), Ibid., Vol. VIII, pp. 30–124.

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  7. N, I, 104 (87); cf. pp. 103–105 (87–88).

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  8. N, I, 104 (87).

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  9. N, I, 105 (88).

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  10. N, I, 105–106 (88).

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  11. Dilthey and Vischer must be mentioned here as exceptions; both were influenced by Hegel and Schiller.

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  12. N, I, 106–108 (89–90).

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  13. N, I, 108 (90).

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  14. “Nietzsche Contra Wagner”, in Gesammelte Werke (Mussarion Ausgabe), Vol. VIII, p. 187.

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  15. N, I, 109 (91).

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  16. N, I, 109 (91).

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  17. N, II, 258.

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  18. N, I, 73 (61).

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  20. N, I, 79–81 (67–68).

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  22. N, I, 83–84 (70).

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  23. N, I, 84–85 (71).

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  25. Nietzsche, Will to Power, No. 808 Cf. N, I, 87–91 (73–76).

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  27. N, I, 110–113 (92–95).

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  29. N, I, 113–118 (95–98).

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  33. N, I, 124–126 (105).

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  34. N, I, 130–131 (111).

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  35. N, I, 131–132 (111–112).

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  37. N, I, 133 (113).

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  39. N, I, 135–137 (115–117).

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  42. N, I, 138–140 (118–119).

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  44. Cf. H, 9–10 (PLT, 19–20).

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  46. Nietzsche, Gesammelte Werke, Vol. XIV, p. 154, cf. p. 145.

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  47. Nietzsche, Will to Power, No. 819.

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  48. Ibid., No. 799.

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  49. N, I, 146–149 (124–127).

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  50. N, I, 151 (128).

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  61. Nietzsche, Gesammelte Werke, Vol. XIV, p. 368.

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  65. N, I, 231–242 (200–210).

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  66. Cf. N, I, 243–254 (211–220).

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  68. Ibid., pp. 55–58.

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  69. Ibid., pp. 58–63; cf. R. Makkreel, op. cit., p. 8, 147, 356–364, 387–388, and passim; for Dilthey’s conception of aesthetics see also Frith jof Rodi, Morphologie und Hermeneutik. Zur Methode von Diltheys Ästhetik (Stuttgart: Kohlhammer, 1969), pp. 80–115, and passim.

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  70. H.-G. Gadamer, op. cit., p. 63.

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  71. Ibid., pp. 62–63.

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  72. Ibid., pp. 72–73.

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  73. Ibid., pp. 78–80; cf. 73–78.

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  74. Ibid., pp. 80–90.

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  75. HW, 7–68 (17–87). Cf. H.-G. Gadamer, “Zur Einführung”, in Martin Heidegger, Der Ursprung des Kunstwerkes (Stuttgart: Reclam. 1970), pp. 102–125, pp. 107–111; F.-W. von Herrmann, Heideggers Philosophie der Kunst (Frankfurt: Klostermann, 1980).

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  76. HW, 29–46 (39–57); cf. H.-G. Gadamer, loc. cit., pp. 115–118.

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  77. HW, 46–56 (57–68); H.-G. Gadamer, loc. cit., pp. 119–122.

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  78. HW, 302–303 (19); H.-G. Gadamer, loc. cit., pp. 122–125. Cf. HW, 56–65 (68–78); Richardson, op cit., pp. 403–411.

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Authors
  1. Joseph J. Kockelmans
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© 1985 Martinus Nijhoff Publishers, Dordrecht

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Kockelmans, J.J. (1985). The Century after Hegel. In: Heidegger on Art and Art Works. Phaenomenologica, vol 99. Springer, Dordrecht. https://doi.org/10.1007/978-94-009-5067-2_4

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  • DOI: https://doi.org/10.1007/978-94-009-5067-2_4

  • Publisher Name: Springer, Dordrecht

  • Print ISBN: 978-90-247-3144-2

  • Online ISBN: 978-94-009-5067-2

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