The Theory of Color as the Symbolism of Insight

Abstract

In a previous chapter we concluded a broad range of specific considerations. We have examined a part of Goethe’s Contributions to Optics [Beiträge zur Optik] and with it certain detailed aspects of his theory of color, as well as an essay on methodology. Building upon these considerations, we have attempted, by considering ‘phenomenon,’ ‘conceptual mode’ [Vorstellungsart] and their relationship, to depict Goethe’s methodology and his epistemological stance. We found his Theory of Color [Farbenlehre] to be exemplary in this regard. In the chapter concerning his concept of nature (Gögelein, 1972, section 2.62 and p. 93) we went so far as to say that the theory of color is a symbol of science (in Goethe’s sense) as such. By examining nearly all of Goethe’s other scientific activities, we sought to see how they were interrelated, and also the form his procedure takes in each case. We now return to a more general consideration which, among other things, also summarizes and builds upon this earlier material.

Originally published as Chapter 3.1 of Gögelein (1972). Translated by Frederick Amrine and Francis J. Zucker. This original translation appears with the kind permission of Hanser Verlag.