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Ingarden’s Theory of Values and the Evaluation of the Work of Art

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On the Aesthetics of Roman Ingarden

Part of the book series: Nijhoff International Philosophy Series ((NIPS,volume 27))

Abstract

The theory of values has today assumed a central place in contemporary aesthetics. It seems to me that the reasons for this predominant position should be sought not only in the theoretical and cognitive importance of axiological problems but also in their ideological significance.

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Notes

  1. Ingarden [7], O dziele literackim (On the Literary Work of Art), (Warsaw 1960), 62–63, 410–423, and 453–58 par. 68; Ingarden O poznawaniu dzieia literackiego (The Cognition of the Literary Work of Art), 7, 128, 147–49, 235.

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  2. Ingarden [7], 420, 453–55; Ingarden (11), 7, 59, 64–65, 128, 144–145, 189.

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  3. M. Golaszewska, “Ingardenowski świat wartości” (Ingarden’s World of Values), in Fenomenologia Romana Ingardena (Roman Ingarden’s Phenomenology), (Warsaw 1972), 397–420

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  4. M. Gołaszewska, “Romana Ingardena filozofia wartości estetycznych” (Roman Ingarden’s Philosophy of Aesthetic Values), Zeszyty Naukowe UJ, Prace Filozoficzne, III, (Cracow 1973). Roman Ingarden’s theory of aesthetic values was also discussed in the following.

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  5. A. Szczepańska, “W sprawie interpretacji niektórych twierdzeń Ingardenowskiej estetyki” (Concerning the Interpretation of Some Propositions of Ingarden’s Aesthetics), Studio, Estetyczne, IX, (1972), 341–53

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  6. A. Szczepańska, “Perspektywy aksjologiczne badań struktury dzieła sztuki w koncepcji R. Ingardena” (Perspectives of Axiological Studies in the Structure of the Work of Art according to R. Ingarden), Studio. Estetyczne, X (1973), 239–53.

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  7. S. Morawski, “Szkola stawiania pytań” (The School of Asking Questions), Studio Estetyczne, pt. i, VII (1970), 261–81, pt. ii, VIII (1971), 243–54.

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  8. J. Kmita, “O dwóch rodzajach wartości związanych z dziełem sztuki” (On Two Kinds of Values Connected with the Work of Art), in Wariość, dzieło, sens (Value, Work, Sense), (Warsaw 1975), 177–95.

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  9. B. Dziemidok, “Romana Ingardena teoria wartości dzieła sztuki w świetle estetyki marksistowskiej” (Roman Ingarden’s Theory of Values of the Work of Art in the Light of Marxist Aesthetics), Studio Filozoficzne, III, 3 (1975), 29–43.

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  10. See, also R. Luthe, “Czy alternatywa sceptycyzmu? O niektórych aspektach Ingardenowskiej teorii wartości dziela sztuki” (An Alternative to Skepticism? On Some Aspects of Ingarden’s Theory of Values of the Work of Art), Studio Estetyczne XIV, (1977), 29–44

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  11. D. Surowiec, “Wartości w świecie literatury” (Values in the World of Literature), “Przegląd Humanistyczny” (1979), 71–88

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  12. E.H. Falk, The Poetics of Roman Ingarden, (Chapel Hill, North Carolina, 1981), 187–201.

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  13. Ingarden [35], “Zagadnienie systemu jakości estetycznie donioslych” (The Question of a System of Aesthetically Significant Qualities), Ingarden [42], 306; and “Czego nie wiemy o wartościach?” (What Don’t We Know about Values?), in Ingarden [42] 234.

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  14. Ingarden [34], “Wartości artystyczne i wartości estetyczne” (Artistic and Aesthetic Values), in Ingarden [42], 286.

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  15. Ingarden [11], 145; Ingarden [18], “Uwagi o wzgledności wartości” (Remarks Concerning the Relativity of Values), in Ingarden [42], 218; and Ingarden, “Czego nie wiemy”, 234.

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  16. Ingarden [11], 200, 217–18; and Ingarden [34], 270–73.

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  17. Ingarden, “Czego nie wiemy”, 225–26.

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  18. Ingarden [34], 274–87.

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  19. Ingarden [34], 286; Ingarden [30], “Zasady epistemologicznego rozważania doświadczenia estetycznego” (The Principles of Epistemological Analysis of the Aesthetic Experience), in Ingarden [42], 170.

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  20. Ingarden [30], 169; Ingarden, “O estetyce filozoficznej” (On Philosophical Aesthetics), in Ingarden [42], 14.

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  21. Ingarden [34], 286.

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  22. Ingarden [35], 306–08.

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  23. Ingarden [35], 306 n.

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  24. Ingarden [35], 305.

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  25. Ingarden, “Wartość estetyczna i zagadnienie jej obiektywnego ugruntowania” (Aesthetic Value and the Question of Its Objective Grounding), in Ingarden [42], 261–62.

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  26. Morawski, “Szkoła”, pt. i, 280, pt. ii, 245, 249, 254,. Cf. also the polemic of Szczepanska with Morawski in Szczepanska, “W sprawie interpretacji.”

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  27. Ingarden [34], 275; cf. also 271.

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  28. Some interesting remarks about Ingarden’s concept of concretization may be found in the following. H. Markiewicz, Główne problemy wiedzy o literaturze (The Main Problems of the Knowledge of Literature), 3 ed. (Cracow 1970), 82–83, 325–26

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  29. A. Nowicki, Człowiek w świecie dzieł (Man in the World of Works of Art), (Warsaw 1974), 275–76

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  30. M. Głowinski, “O konkretyzacji” (On Concretization), Nurt, 97 (1973).

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  31. An interesting, though controversial, attempt to create an objectivist theory of beauty in a pluralistic variety was recently undertaken by a representative of American analytic aesthetics, Guy Sircello, A New Theoy of Beauty, (Princeton 1975).

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  32. Among others, cf. Markiewicz, Główne problemy, 324, 326; A. Kuczyńska, Piekno. Mit i rzeczywistość (Beauty: Myth and Reality), (Warsaw 1972), 41

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  33. O. Drobnicki, Świat przedmiotów ożywionych. Problem wartości a filozofia marksistowska (The World of Animate Objects: The Problem of Values and Marxist Philosophy), (Warsaw 1972), 27, 29, 36

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  34. J. Hawthorn, Identity and Relationship: A Contribution to Marxist Theory of Literary Criticism, (London 1973), 146–48

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  35. S. Morawski, Inquiries into the Fundamentals of Aesthetics, (Cambridge, Mass., 1974), 8, 41–49.

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  36. A. Węgrzecki, “O absolutności wartości etycznych i estetycznych” (On the Absolute Nature of Ethical and Aesthetic Values), in Fenomenologia Romana Ingardena [see n. 3], 421–47.

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  37. Ingarden [30], 169; Ingarden [34], 286.

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  38. Ingarden [18], 208–13.

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  39. Ingarden [18], 211, 215, 218.

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  40. Ingarden [18], 212, 218.

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  41. Ingarden [18], 218.

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  42. Ingarden [30], 169.

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  43. Ingarden [34], 286.

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  44. Ingarden [18], 213.

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  45. Wegrzecki, 421.

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  46. Ingarden [11], 240.

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  47. Ingarden [11], 214–15, 237; Ingarden [42], 101, 167.

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  48. Ingarden [24], “Uwagi o estetycznym sadzie wartościujacym” (Remarks on Aesthetic Value Judgement), in Ingarden [42], 164.

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  49. Ingarden [11], 186, 214.

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  50. Ingarden [24], 155.

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  51. Ingarden [24], 155–56.

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  52. Ingarden [11], 214.

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  53. Ingarden [11], 214.

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  54. Ingarden [24], 157.

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  55. Ingarden [24], 160.

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  56. Ingarden [30], 173–74.

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  57. Ingarden [30], 174; 172.

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  58. Ingarden [30], 167.

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Authors
  1. Bohdan Dziemidok
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Editors and Affiliations

  1. University of Gdansk, Poland

    Bohdan Dziemidok

  2. University of Ottawa, Canada

    Peter McCormick

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© 1989 Kluwer Academic Publishers

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Dziemidok, B. (1989). Ingarden’s Theory of Values and the Evaluation of the Work of Art. In: Dziemidok, B., McCormick, P. (eds) On the Aesthetics of Roman Ingarden. Nijhoff International Philosophy Series, vol 27. Springer, Dordrecht. https://doi.org/10.1007/978-94-009-2257-0_4

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  • DOI: https://doi.org/10.1007/978-94-009-2257-0_4

  • Publisher Name: Springer, Dordrecht

  • Print ISBN: 978-94-010-7511-4

  • Online ISBN: 978-94-009-2257-0

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