Abstract
A reasonably well preserved painting, which like no. C 94 was copied after a lost Rembrandt original. It may have been executed in the 17th century though probably outside Rembrandt’s circle.
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References
F. Winkler, ‘Echt, falsch, verfälscht’, Kunstchronik 10 (1957), pp. 141–144, esp. 143.
J.G. van Gelder, ‘The Rembrandt exhibition at Edinburgh’, Burl. Mag. 92 (1950). pp. 327–329, esp. 328.
Bauch p. 16 (under no. 314).
The National Gallery of Canada, Catalogue of paintings and sculpture, I, Older schools, Ottawa-Toronto 1961, p. 88.
Gerson 236.
J. Rosenberg, Rembrandt. Life and works, revised edn London 1964, p. 371.
HdG 585.
Cat. exhibn. Paintings and silver from Woburn Abbey, London (Royal Academy) 1950, no. 14.
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© 1989 Stichting Foundation Rembrandt Research Project
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Bruyn, J., Haak, B., Levie, S.H., Van Thiel, P.J.J., Van De Wetering, E. (1989). Half length figure of Rembrandt. In: A Corpus of Rembrandt Paintings. Stichting Foundation Rembrandt Research Project, vol 3. Springer, Dordrecht. https://doi.org/10.1007/978-94-009-0811-6_62
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DOI: https://doi.org/10.1007/978-94-009-0811-6_62
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