Advertisement

Portrait of a man holding a hat

Los Angeles, Cal., the Armand Hammer Collection
  • J. Bruyn
  • B. Haak
  • S. H. Levie
  • P. J. J. Van Thiel
  • E. Van De Wetering
Part of the Stichting Foundation Rembrandt Research Project book series (RRSE, volume 3)

Abstract

A reasonably well preserved (though perhaps slightly reduced) painting that despite a few unusual features is convincing as to its authenticity, and can be dated around 1639.

Keywords

Paint Layer White Lead Flesh Colour Cast Shadow Unusual Appearance 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  1. 1.
    W. Bode and C. Hofstede de Groot, Rembrandt VIII, Paris 1905, no. 570.Google Scholar
  2. 2.
    W.R. Valentiner, Rembrandt, Stuttgart-Leipzig 1909 (Kl.d.K.), p. 217.Google Scholar
  3. 3.
  4. 4a.
    J. Rosenberg, Rembrandt, Cambridge, Mass., 1948, p. 248Google Scholar
  5. 4b.
    J. Rosenberg, Rembrandt, Cambridge, Mass., 2nd edn London 1964, p. 371.Google Scholar
  6. 5.
    Bauch 379.Google Scholar
  7. 6.
    F. Schmidt-Degener, ‘Het genetische probleem van de Nachtwacht III, 2’, Onze Kunst 30 (1916), pp. 29–56, esp. 40.Google Scholar
  8. 7.
    J. Smith, A catalogue raisonné of the works of the most eminent Dutch, Flemish and French painters VII, London 1836, no. 263.Google Scholar
  9. 8.
    The Armand Hammer Collection, 2 edn, Los Angeles 1987, p. 224.Google Scholar

Copyright information

© Stichting Foundation Rembrandt Research Project 1989

Authors and Affiliations

  • J. Bruyn
  • B. Haak
  • S. H. Levie
  • P. J. J. Van Thiel
  • E. Van De Wetering

There are no affiliations available

Personalised recommendations