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Samson threatening his father-in-law

Berlin (West), Staatliche Museen Preussischer Kulturbesitz, Gemäldegalerie, Cat. No. 802
  • J. Bruyn
  • B. Haak
  • S. H. Levie
  • P. J. J. Van Thiel
  • E. Van De Wetering
Part of the Stichting Foundation Rembrandt Research Project book series (RRSE, volume 3)

Abstract

A moderately and in some places poorly preserved, authentic work, with a reliable signature and incomplete date that must have read 1635.

Keywords

Paint Layer Cast Shadow Dark Paint Authentic Work Paint Loss 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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References

  1. 1.
    A. Burroughs, Art criticism from a laboratory, Boston 1938, pp. 160–162.Google Scholar
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    E. Kolloff, ‘Rembrandt’s Leben und Werke, nach neuen Actenstücken und Gesichtspunkten geschildert’, Historisches Taschenbuch herausgeg. von Friedrich von Raumer 5 (1854), pp. 403–582, esp. 443–446; reprint edited by C. Tümpel, Hamburg 1971.Google Scholar
  3. 3.
    C. Hofstede de Groot, ‘Rembrandts bijbelsche en historische voor-stellingen (II)’, O.H. 41 (1923/4), pp. 97–114, esp. 99. Cf. H. Gerson in: Kunstchronik 10 (1957), p. 122; Gerson 78; Br.-Gerson 499.Google Scholar
  4. 4.
    Gemäldegalerie Staatliche Museen Preussischer Kulturbesitz Berlin, Berlin-Dahlem 1975, p. 337.Google Scholar
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    C Neumann, Rembrandt I, Munich 1922, p. 149.Google Scholar
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    W. Weisbach, Rembrandt, Berlin and Leipzig 1926, p. 187.Google Scholar
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    K. Bauch, Studien zur Kunstgeschichte, Berlin 1967, p. 128.Google Scholar
  8. 8.
    M. Kahr, ‘Rembrandt and Delilah’, Art Bull. 55 (1973), pp. 240–259, esp. 245.CrossRefGoogle Scholar

Copyright information

© Stichting Foundation Rembrandt Research Project 1989

Authors and Affiliations

  • J. Bruyn
  • B. Haak
  • S. H. Levie
  • P. J. J. Van Thiel
  • E. Van De Wetering

There are no affiliations available

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