Abstract
Maria Gołaszewska belongs to the postwar generation of Ingarden’s disciples and followers. She was born in 1926, and graduated in philosophy after the presentation of a thesis on Maine de Biran’s theory of perception. Her doctorate (under the supervision of Ingarden himself) was devoted to the analysis of various types of creative processes, described and discussed from the point of view of the creator (the artist) as well as the art-perceiver. Professor Golaszewska’s profuse and prolific output comprises almost three hundred publications, among which her works on the Consciousness of Beauty or Aesthetics and Antiaesthetics encompass the fields of aesthetics (first and foremost), philosophical anthropology, art criticism and theory of culture.
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© 2002 Springer Science+Business Media Dordrecht
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Mróz, P., Warmiński, A. (2002). From Ingarden to Naturalistic Aesthetics: Maria Gołaszewska. In: Tymieniecka, AT. (eds) Phenomenology World-Wide. Analecta Husserliana, vol 80. Springer, Dordrecht. https://doi.org/10.1007/978-94-007-0473-2_67
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DOI: https://doi.org/10.1007/978-94-007-0473-2_67
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