Skip to main content

Ecological Validity and Impact: Key Challenges for Music Education Research

  • Chapter
  • First Online:

Part of the book series: Landscapes: the Arts, Aesthetics, and Education ((LAAE,volume 7))

Abstract

In order to simultaneously refine and broaden the research and theoretical bases for music education, as well as ensuring their practical relevance, I believe that we have to address two key challenges: ecological validity and impact. These are in a symbiotic relationship. If our research is to have professional impact, it has to be ecologically valid; if it has such validity, it is in a better position to have impact. Research endeavors are likely to be better placed to effect change if we locate them in real-world situations (which is not as easy as it might seem) or ensure that they have an appropriate applicability to such situations. However, the real world is messy, untidy, not always (if ever) predictable, and is often context and person sensitive. Such sensitivity is evidenced in the challenge to the certainties that underlay positivistic empiricism by the diversity of procedures and outcomes evident in much qualitative research (for example, Denzin and Lincoln 2005). We recognize that “truth,” in terms of musical behaviors, is a contested concept precisely because “music” and its associated manifestations are the products of individual minds operating in particular sociocultural contexts.

The research and theoretical bases for music education must simultaneously be refined and radically broadened both in terms of their theoretical interest and practical relevance.

(Action for Change, pp. xxxi–xxxvii, this volume.)

This is a preview of subscription content, log in via an institution.

Buying options

Chapter
USD   29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD   84.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD   109.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD   109.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Learn about institutional subscriptions

References

  • Altenmüller, E. O. 2003. How many music centres are there in the brain? In I. Peretz and R. Zatorre, eds. The Cognitive Neuroscience of Music (pp. 346–353). New York: Oxford University Press.

    Google Scholar 

  • Altenmüller, E. O. 2004. Music in your head. Scientific American, 14(1), 24–31.

    Google Scholar 

  • Avanzini, G., C. Faienza, D. Minciacchi, L. Lopez, and M. Majno, eds. 2003. The neurosciences and music (Vol. 999). New York: Annals of the New York Academy of Sciences.

    Google Scholar 

  • Bartels, A., and S. Zeki. 2004. Functional brain mapping during free viewing of natural scenes. Human Brain Mapping, 21(2), 75–85.

    Article  Google Scholar 

  • Bele, I. V. 2004. Reliability in perceptual analysis of voice quality. Journal of Voice, 19(4), 555–573.

    Article  Google Scholar 

  • BERA Music Education Research Group. 2001. Mapping music education research in the UK. Southwell, Notts: British Educational Research Association.

    Google Scholar 

  • Besson, M., F. Faïta, I. Peretz, A.-M. Bonnel, and J. Requin. 1998. Singing in the brain: independence of lyrics and tunes. Psychological Science, 9, 494–498.

    Article  Google Scholar 

  • Bigand, E., B. Tillmann, B. Poulin, D. A. D’Amo, and F. Madurell. 2001. The effect of harmonic context on phoneme monitoring in vocal music. Cognition, 81, B11–B20.

    Article  Google Scholar 

  • Cheung, J. 2004. Mapping music education research in Hong Kong. Psychology of Music, 32(3), 343–356.

    Article  Google Scholar 

  • Davidson, J., ed. 2004. The music practitioner. Aldershot: Ashgate.

    Google Scholar 

  • Denzin, N. K. and Y.S. Lincoln, eds. 2005. The SAGE handbook of qualitative research (3rd ed.). London: Sage.

    Google Scholar 

  • Engeström, Y. 2001. Expansive learning at work: toward an activity theoretical reconceptualization. Journal of Education and Work, 14(1), 133–156.

    Google Scholar 

  • European Science Foundation [ESF]. 2002. Voice development, assessment, education and care in childhood and adolescence. Retrieved 16 January, 2005 from http://www.esf.org/esf_genericpage.php?language=0andsection=2anddomain=5andgenericpage=1346.

  • Gruhn, W. 2004. Mapping music education research in Germany. Psychology of Music, 32(3), 311–321.

    Article  Google Scholar 

  • Hentschke, L., and I. Martinez. 2004. Mapping music education research in Brazil and Argentina: the British impact. Psychology of Music, 32(3), 357–367.

    Article  Google Scholar 

  • Hodges, D. 1996. Neuromusical research: A review of the literature. In D. Hodges ed. Handbook of Music Psychology (2nd edn., pp. 203–290). San Antonio, TX: Institute for Music Research Press (University of Texas at San Antonio).

    Google Scholar 

  • Jørgensen, H. 2004. Mapping music education research in Scandinavia. Psychology of Music, 32(3), 291–310.

    Article  Google Scholar 

  • Kreiman, J., and B. R. Gerratt. 1998. Validity of rating scale measures of voice quality. Journal of The Acoustic Society of America (JAMA), 1598–1608.

    Google Scholar 

  • Juslin, P. N., and J. A. Sloboda. 2001. Music and emotion. New York: Oxford University Press.

    Google Scholar 

  • Maess, B., S. Koelsch, T. C. Gunter, and A. D. Friederici. 2001. Musical syntax is processed in Broca’s area: an MEG study. Nature Neuroscience, 4(5), 540–545.

    Google Scholar 

  • MacDonald, A. R., D. J. Hargreaves, and D. Miell, eds. 2002. Musical identities. New York: Oxford University Press.

    Google Scholar 

  • Martin, D. and C. Miller. 2003. Speech and language difficulties in the classroom. London: David Fulton.

    Google Scholar 

  • Miell, D., A. R. MacDonald, and D. J. Hargreaves, eds. 2005. Musical communication. New York: Oxford University Press.

    Google Scholar 

  • Mithen, S., and L. Parsons. 2008. Singing in the brain. New Scientist, 23 February, 28.

    Google Scholar 

  • North, A. and D. J. Hargreaves. 2008. The social and applied psychology of music. Oxford: Oxford University Press.

    Google Scholar 

  • Parncutt, R., and G. McPherson, eds. 2002. The science and psychology of music performance. New York: Oxford University Press.

    Google Scholar 

  • Peretz, I., and M. Coltheart. 2003. Modularity and music processing. Nature Neuroscience, 6(7), 688–691.

    Article  Google Scholar 

  • Peretz, I., and R. Zatorre, eds. 2003. The cognitive neuroscience of music. New York: Oxford University Press.

    Google Scholar 

  • Pert, C. B. 1986. The wisdom of the receptors: Neuropeptides, the emotions, and bodymind. Advances, 3(3), 8–16.

    Google Scholar 

  • Preti, C., and G. F. Welch. 2004. Music in a hospital setting: a multifaceted experience. British Journal of Music Education, 21(3), 329–345.

    Article  Google Scholar 

  • Price, H. 2004. Mapping music education research in the USA: a response to the UK. Psychology of Music, 32(3), 322–329.

    Article  Google Scholar 

  • Rinta, T., and G. F. Welch. 2008. Should singing activities be included in speech and voice therapy for prepubertal children? Journal of Voice, 22(1), 100–112.

    Article  Google Scholar 

  • Ryder, M. 2004. What is activity theory? Retrieved 16 January 2005, fromhttp://www.carbon.cudenver.edu/∼mryder/itc/act_dff.html

  • Saunders, J. 2006. Music learning in Year 9: The pupils’ perspective. National Association of Music Educators Magazine, 18, 9–11.

    Google Scholar 

  • Sawyer, R. K. 2003. Group creativity. Mahwah, NJ: Lawrence Erlbaum Associates.

    Google Scholar 

  • Schlaug, G. 2006. Brain structures of musicians; executive functions and morphological implications. In A. Altenmüller, M. Wiesengander, and J. Kesselring, eds. Music, Motor Control and the Brain. (pp. 141–152). Oxford: Oxford University Press.

    Google Scholar 

  • Spence, S. 2006. Black Caribbean children and school music: expectation and achievement. National Association of Music Educators Magazine, 18, 12–15.

    Google Scholar 

  • Stevens, R. S., and G. E. McPherson. 2004. Mapping music education research in Australia. Psychology of Music, 32(3), 330–342.

    Article  Google Scholar 

  • Tarrant, M., A. C. North, and D. J. Hargreaves. 2002. Youth identity and music. In A. R. MacDonald, D. J. Hargreaves, and D. Miell, eds. Musical Identities (pp. 134–150). New York: Oxford University Press.

    Google Scholar 

  • Thurman, L. 2000. Bodyminds, human selves and communicative human interaction. In L. Thurman and G. Welch, eds. Bodymind and Voice: Foundations of Voice Education (Rev. Ed., pp. 134–187). Iowa City, IA: National Center for Voice and Speech.

    Google Scholar 

  • Viebahn, P. 2003. Teacher education in Germany. European Journal of Teacher Education, 26(1), 87–100.

    Article  Google Scholar 

  • Weinberger, N. 2004. Music and the brain. Scientific American, November 2004, Special Issue, 88–95.

    Google Scholar 

  • Welch, G. F. 2008. Teaching and learning music in higher education. Invited paper, Proceedings, Hong Kong Institute of Education/Teaching and Learning Research Programme International Symposium on Teaching, Learning and Assessment, Department of Curriculum and Instruction, Hong Kong Institute of Education, 22–24 April 2008.

    Google Scholar 

  • Welch, G. F., and P. Adams. 2003. How is music learning celebrated and developed? British Educational Research Association, Southwell: Notts.

    Google Scholar 

  • Welch, G. F., and S. Hallam, eds. 2004. Mapping music education research—international perspectives. Psychology of Music, 32(3), 235–367.

    Google Scholar 

  • Williams, J., G. F. Welch, and D. M. Howard. 2005. An exploratory baseline study of boy chorister vocal behaviour and development in an intensive professional context. Logopedics Phoniatrics Vocology, 30(3/4), 158–162.

    Article  Google Scholar 

  • Williamon, A. ed. 2004. Musical excellence. New York: Oxford University Press.

    Google Scholar 

  • Zatorre, R. J., and I. Peretz, eds. 2001. The biological foundations of music (Vol. 930). New York: Annals of the New York Academy of Sciences.

    Google Scholar 

  • Zeki, S. 1999. Inner vision: An exploration of art and the brain. Oxford : Oxford University Press.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Graham F Welch .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2009 Springer Science+Business Media B.V.

About this chapter

Cite this chapter

Welch, G.F. (2009). Ecological Validity and Impact: Key Challenges for Music Education Research. In: Regelski, T., Gates, J. (eds) Music Education for Changing Times. Landscapes: the Arts, Aesthetics, and Education, vol 7. Springer, Dordrecht. https://doi.org/10.1007/978-90-481-2700-9_12

Download citation

Publish with us

Policies and ethics