Rabindranath Tagore at the Intersection of Nationalism and Modernity

Chapter

Abstract

This paper intends to study how, interlinking the influence of indigenous tradition along with his exposure to the Western ideas, Tagore has travelled through his ever-changing notion of nationalism and modernity to have finally arrived at a poetics that makes him at once a Bengali poet and a poet of the world. Prof Alam finally shows how Tagore in his refuting of the Nation centrism creates a unique idiom for his art—personal, national and beyond—that is modern but not a copycat of those being produced by Western modernism.

Keywords

Alternative modernity Third worldism Indigenous modernity Bengal Renaissance Literary modernism 

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Copyright information

© Indian Institute of Advanced Study, Shimla 2017

Authors and Affiliations

  1. 1.Department of EnglishUniversity of DhakaDhakaBangladesh

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