Abstract
This article examines instances from English-language women’s magazines published in India with the post-liberalization decades (that is, since the 1990s) as a background historical framework. In analysing three well-known magazines in this segment—namely, Femina, Marie Claire and Good Housekeeping—the article will examine their location in larger economic processes. At the same time, this article also engages with the image of the globalizing Indian woman that is put forth in different ways by these magazines, in order to speak to shifting categories of projected, target, and actual readers. Two key questions inform this article, namely, should feminists seek to examine public visual culture in newly liberalized economies, what perspectives can be used and, moreover, how can we engage with publishing practices for women seeking to increasingly fall within a globally uniform system of visual recall.
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Notes
- 1.
The reasons behind this choice are really that they are from different media stables which also have other mass market magazines with women as target readers, but these three are stated by respective media groups as magazines for women. Also, it must be stated, that the circulation figures for these magazines are nowhere near the scale of regional language publishing for women; yet, in their own restricted brackets, they have circulations which are considered competitive.
- 2.
For instance, in this segment targeted at women as readers, the India Today group publishes Cosmopolitan, Good Housekeeping, and Women’s Health; The Times of India Group publishes Femina, iDiva, and Grazia; whereas the Outlook Group used to publish Marie Claire.
- 3.
The announcement was made to the horror of its editors who heard it not at work, but as a statement on a media related website on the internet. This was at the end of July 2013, and announced on various other sources, and the Outlook Group issued a formal statement as well. The Outlook Group stopped publishing Geo as well as People along with MC. This is said to have surprised editors in rival magazines, since advertising in the lifestyle segment had seen significant growth, and it was the general interest and current affairs magazines that had declining revenues from advertising. http://www.livemint.com/Companies/hEWlSTz2UrduDan81NaF6N/Outlook-to-stop-publishing-People-Geo-Marie-Claire-in-Indi.html, accessed on 14 August 2013.
- 4.
Called ‘the Bible of the Fun, Fearless Female’ this is how Cosmopolitan describes itself: “The Indian Woman today handles it all. A zip-ahead career that is challenging and fulfilling. And a burgeoning bazaar of products that ensures they keep pace with style. Today’s woman makes more money and spends more money than they ever did. And she has begun taking charge.” (http://www.indiatodaygroup.com/new-site/publications/cosmo-about.html).
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Chirmuley, P. (2016). “Because You’re Worth It”: The New Woman in Post-Liberalization Women’s Magazines in India. In: Bhaduri, S., Mukherjee, I. (eds) Transcultural Negotiations of Gender. Springer, New Delhi. https://doi.org/10.1007/978-81-322-2437-2_19
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