Skip to main content
SpringerLink
Log in

Global Art and Contemporary Art

  • Chapter
Biennials — Art on a Global Scale

Part of the book series: Edition Angewandte ((EDITION))

  • 246 Accesses

Abstract

Considering the importance of globalization for the history of the biennials, the often addressed oppositions of center vs. periphery, global vs. local, which are so central to the second phase of this type of exhibition, it seems appropriate to adopt a new terminology that does not make a geographic and geopolitical distinction between Western and non-Western contemporary art.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Log in via an institution

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  1. Kunstgeschchte und Weltgegenwartskunst (34), pp. 11–30.

    Google Scholar 

  2. Ibid., p. 18.

    Google Scholar 

  3. Ibid., p. 19.

    Google Scholar 

  4. Kitty Zijlmans, “Die Welt im Blickfeld. Unterwegs zu einer global orientierten Kunstgeschichte”, in: Kunstgeschichte und Weltgegenstandskunst (34), p. 243 ff.

    Google Scholar 

  5. Markus Brüderlin, “Westkunst — Weltkunst. Wie lässt sich der Dialog der Kulturen im Ausstellungskontext inszenieren?”, in: Kunstgeschichte und Weltgegenwartskunst (34), p. 121 ff.

    Google Scholar 

  6. Niklas Luhmann, “Weltkunst” (37), p. 7–45.

    Google Scholar 

  7. Niklas Luhmann, “Weltkunst” (37), p. 7–45.

    Google Scholar 

  8. Hans Belting, “Eine globale Kunstszene? Marco Polo und die anderen Kulturen”, in: nbk (9), p. 13.

    Google Scholar 

  9. Belting, in: “Kunst-Welten im Dialog” (10).

    Google Scholar 

  10. Hans Belting, (10) p. 324.

    Google Scholar 

  11. Ibid.

    Google Scholar 

  12. Ibid.

    Google Scholar 

  13. Ibid., p. 326.

    Google Scholar 

  14. Hans Belting (8) p. 51.

    Google Scholar 

  15. William Rubin (1927–2006) was chief curator (from 1967) and later director of MOMA New York.

    Google Scholar 

  16. Cf. extensive reviews and critique by Ludy R. Lippard, Kunstforum, vol. 118 (105) p. 162; Thomas McEvilley, Kunstforum, vol. 118 (118) p. 176 ff.

    Google Scholar 

  17. Karl Woermann (55).

    Google Scholar 

  18. Eduard Trier (53).

    Google Scholar 

  19. Lucy Lippard, Kunstforum (105) p. 163.

    Google Scholar 

  20. Cf. McEvilley, Kunstforum (105) p. 175.

    Google Scholar 

  21. Vasif Kortun, interview with Carole Thea 2001, http://vasif-kortun-eng.blogspot. com/2001/10/interview.html (last visited on September 22, 2009).

    Google Scholar 

  22. Conversation between Hassan Khan and Akram Zaatari and Tirdad Zolghadr, Ethnic Marketing (17) p. 89f.

    Google Scholar 

  23. Thomas McEvilley, Kunstforum (105), p. 280.

    Google Scholar 

Download references

Author information

Authors and Affiliations

  1. Institute of Fine Arts and Media Art, University of Applied Arts Vienna, Austria

    Sabine B. Vogel

Authors
  1. Sabine B. Vogel
    View author publications

    You can also search for this author in PubMed Google Scholar

Rights and permissions

Reprints and permissions

Copyright information

© 2010 Springer-Verlag/Wien

About this chapter

Cite this chapter

Vogel, S.B. (2010). Global Art and Contemporary Art. In: Biennials — Art on a Global Scale. Edition Angewandte. Springer, Vienna. https://doi.org/10.1007/978-3-7091-0251-0_9

Download citation

  • DOI: https://doi.org/10.1007/978-3-7091-0251-0_9

  • Publisher Name: Springer, Vienna

  • Print ISBN: 978-3-7091-0250-3

  • Online ISBN: 978-3-7091-0251-0

Publish with us

Policies and ethics

Search

Navigation