Abstract
While explorations of aesthetic experience often center on a moment of encounter, aesthetic experience not infrequently unfolds over time, sometimes over extended periods. This discussion begins by identifying translation as a form of aesthetic relating and then reflects on the experience of aesthetic relating over time through examination of the author’s experience working with the Swahili poetry collection Sauti ya Dhiki (in English, Voice of Agony) by the Kenyan author Abdilatif Abdalla, a book that was translated by Ken Walibora Waliaula in an edition edited by the author. The discussion posits that aesthetic relating over an extended timeline, and in collaboration with others, generates distinctive forms of knowledge.
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Notes
- 1.
This book, “The Imaginative Vision of Abdilatif Abdalla’s Voice of Agony,” is under contract with the African Perspectives series of the University of Michigan Press. It consists centrally of Ken Walibora Waliaula’s English translation of Sauti ya Dhiki, edited by me, with critical reflections from several scholars and writers.
- 2.
This memoir by Ken Walibora Waliaula is Nasikia Sauti ya Mama (Nairobi: Longhorn, 2014).
- 3.
Abdalla, Sauti ya Dhiki, 106; my translation.
- 4.
Abdalla, Sauti ya Dhiki, 102; my translation.
- 5.
Abdalla, personal communication, March 2021.
- 6.
Abdalla, Sauti ya Dhiki, 108.
References
Abdalla, Abdilatif. 1973. Sauti ya Dhiki. Nairobi: Oxford University Press.
Abdalla, Abdilatif. 2021. Personal Communication, March 2021.
Walibora, Ken Waliaula. 2014. Nasikia Sauti ya Mama. Nairobi: Longhorn.
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Drury, A. (2023). The Long Timeline in Aesthetic Relations: On Working with Abdilatif Abdalla’s Sauti Ya Dhiki (“Voice of Agony”). In: Oloko, P., Ott, M., Simatei, P., Vierke, C. (eds) Decolonial Aesthetics II. Ästhetiken X.0 – Zeitgenössische Konturen ästhetischen Denkens. J.B. Metzler, Berlin, Heidelberg. https://doi.org/10.1007/978-3-662-66222-9_10
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