Skip to main content

Modelling Evolution Through Structural Change

  • Chapter
  • First Online:
Arts, Sciences, and Economics
  • 980 Accesses

Abstract

From the illustrations of progress and development in the arts and sciences, to which we, in line with title of the French Encyclopedia “…des sciences, des arts, et des métiers”, should add the crafts, we would like to outline a theory for development, particularly suitable for these sectors. Objects or manifestations of art are often characterized as being unique, in contrast to mass produced goods and services. The same is true in science as well, because any reproduction of scientific ideas necessarily is a consequence of ignorance or even intentional fraud. This makes theorizing about development in the cultural sector particularly hard, because we are accustomed to measure progress by means of growth in the numbers of well-defined objects. On the other hand, progress, or even just development, in these areas is justly seen as improvement or merely change in quality, rather than in quantity.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 39.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Hardcover Book
USD 54.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

References

Classics (Before 1800)

  • Bach CPE (1752) Versuch über die wahre Art Klavier zu spielen

    Google Scholar 

  • Castiglione B (1513) Il Cortegiano

    Google Scholar 

  • Cellini B (1565) Vita

    Google Scholar 

  • d’Alambert JR, Diderot D (1751) Encyclopédie ou Dictionnaire raisonné des science, des arts et des métiers

    Google Scholar 

  • de Brosses C (1739) Voyage en Italie

    Google Scholar 

  • Descartes R (1649) Traité des passions de l’âme

    Google Scholar 

  • du Tillet T (1732) Le Parnasse Francois

    Google Scholar 

  • Dürer A (1533) Institutionem geometricam

    Google Scholar 

  • Dürer A (1557) De symmetria partium humanorum corporum

    Google Scholar 

  • Gibbon E (1776) Decline and fall of the Roman empire

    Google Scholar 

  • le Blanc H (1740) Défense de la basse de viole contre les Entreprises du violon et les Prétentions du violoncel

    Google Scholar 

  • Lilly W (1647) Christian astrology modestly treated in three books

    Google Scholar 

  • Mace T (1676) Musick’s monument

    Google Scholar 

  • Mattheson J (1739) Der vollkommene Kapellmeister

    Google Scholar 

  • Mozart L (1756) Gründliche Violinschule

    Google Scholar 

  • Mozart WA (1763–1791) Letters, various editions, Gesamtausgabe. Hrsg. von Mozarteum Salzburg, Bärenreiter

    Google Scholar 

  • Praetorius M (1614–1620) Syntagma Musicum

    Google Scholar 

  • Quantz JJ (1752) Versuch einer Anweisung die Flute Traversière zu spielen

    Google Scholar 

  • Smith A (1776) An inquiry into the nature and causes of the wealth of Nations

    Google Scholar 

  • Vasari G (1568) Le vite de’più eccellenti Architetti, Pittori, et Scultori Italiani

    Google Scholar 

  • von Goethe JW (1786) Italienische Reise

    Google Scholar 

Modern (1800 to Our Days)

  • Abraham R, Shaw R (1992) Dynamics. Addison-Wesley, Reading

    Google Scholar 

  • Arthur B (1990) Positive feedbacks in the economy. Sci Am 262:92–99

    Article  Google Scholar 

  • Banchoff TF (1990) Beyond the third dimension. Freeman, San Francisco

    Google Scholar 

  • Bailly A (1968) La serenissima repubblica di Venzia, dall’Oglio

    Google Scholar 

  • Barnsley M (1988) Fractals Everywhere. Academic Press Inc., San Diego

    Google Scholar 

  • Basalla G (1988) The evolution of technology. Cambridge University Press, Cambridge

    Google Scholar 

  • Berenson B (1957) Italian pictures of the reanaissance. Phaidon, London

    Google Scholar 

  • Beyle MH (pseud. Stendhal) (1827) Promenades dans Rome

    Google Scholar 

  • Bol H (1973) La basse de viole au temps de Marin Marais et d’Antoine Forqueray, Creychton

    Google Scholar 

  • Böttger D (2003) Wolfgang Amadeus Mozart. DTV, München

    Google Scholar 

  • Carcopino J (1961) La vie quotidienne a Rome à l’apogée de l’empire. Hachette, Paris

    Google Scholar 

  • Dart T (1954) The interpretation of music. Hutchinson & Co, London

    Google Scholar 

  • Davis PJ, Hersch R (1981) The mathematical experience. Birkhäuser, Basel

    Google Scholar 

  • de Smit B, Lenstra Jr HW (2003) The mathematical structure of Escher’s print gallery. Notices AMS 0:446–451

    Google Scholar 

  • Deppisch W (1968) Richard Strauss, Rowolth

    Google Scholar 

  • Devaney R (1989) Film and video as a tool in mathematical research. Math Intell 11:33

    Article  Google Scholar 

  • Ernst B (1978) Der Zauberspiegel des M.C. Escher. Taco, Berlin

    Google Scholar 

  • Field M, Golubitsky M (1992) Symmetry in chaos. Oxford University Press, Oxford

    Google Scholar 

  • Fletcher NH, Rossig TD (1991) The physics of musical instruments. Springer, Berlin

    Book  Google Scholar 

  • Forkel JN (1802) Über Johann Sebastian Bach - Leben, Kunst und Kunstwerke. Bärenreiter, Leipzig

    Google Scholar 

  • Frances G (1987) Topological picturebook. Springer, Berlin

    Google Scholar 

  • Frazer Sir J (1890) The golden bough. Macmillan, London

    Google Scholar 

  • Frey BS (2000) Arts & economics. Springer, Berlin

    Book  Google Scholar 

  • Gimbel S (2012) Einstein’s Jewish science. Physics at the intersection of politics and religion. Johns Hopkins University Press, Baltimore

    Google Scholar 

  • Gombrich EH (1950) The story of art. Phaidon, London

    Google Scholar 

  • Gombrich EH (1960) Art and illusion - a study in the psychology of pictorial representation. Phaidon, London

    Google Scholar 

  • Goodstein DL, Goodstein JR (1997) Feyneman’s lost lecture. Vintage Books, London

    Google Scholar 

  • Haken H (1983) Advanced synergetics. Springer, Berlin

    Google Scholar 

  • Harnoncourt N (1982) Musik als Klangrede. Residenz-Verlag, Salzburg

    Google Scholar 

  • Harnoncourt N (1984) Der Musikalische Dialog. Residenz-Verlag, Salzburg

    Google Scholar 

  • Haskell E (1988) The early music revival. Thames and Hudson, London

    Google Scholar 

  • Heremerén G (1972) Värdering och objektivitet [Value and objectivity]. Studentlitteratur, Lund

    Google Scholar 

  • Heron-Allen E (1885) Violin making as it was and is. Ward Lock, London (reprint 1976)

    Google Scholar 

  • Hockney D (2001) Secret knowledge: rediscovering the lost techniques of the old masters. Viking Studio, New York

    Google Scholar 

  • Hogwood C (1988) Handel. Thames & Hudson, London

    Google Scholar 

  • Hofstaedter D (1980) Gödel, Esher, Bach - an Eternal Golden Braid. Vintage Books, London

    Google Scholar 

  • Hubbard F (1967) Three centuries of harpsichord making. Harvard University Press, Cambridge

    Google Scholar 

  • Janik H, Toulmin S (1973) Wittgenstein’s Vienna. Touchstone, New York

    Google Scholar 

  • Jaquier P (1991) Rediscovery of a portrait of Jean-Baptiste Forqueray - discovery of some elements of the represented basse de viole (Proceedings of the Viola da Gamba Symposium Utrecht), STIMU Publications

    Google Scholar 

  • Jeans J (1937) Science and music. Cambridge University Press, Cambridge

    Google Scholar 

  • Kirkpatrick R (1953) Domenico Scarlatti. Princeton University Press, Princeton

    Google Scholar 

  • Kirkpatrick R (1983) Fifty years of harpsichord playing. Early Music 11:31

    Article  Google Scholar 

  • Kolneder W (1965) Antonio Vivaldi. Breitkopf und Härtel, Wiesbaden

    Google Scholar 

  • Kuhn T (1962) The structure of scientific revolutions. University of Chicago Press, Chicago

    Google Scholar 

  • Laidler KJ (2004) The harmonious universe: the beauty and unity of scientific understanding. Prometheus Books, Amherst

    Google Scholar 

  • Lancaster K (1971) Consumer demand - a new approach. Columbia University Press, New York

    Google Scholar 

  • Lenard P (1936) Deutsche physik in vier bänden. J.F. Lehmann, Munich

    Google Scholar 

  • Lucie-Smith E (1981) The story of craft - the Craftsman’s role in society. Phaidon, London

    Google Scholar 

  • Mandelbrot BB (1977) The fractal geometry of nature. Freeman, San Francisco

    Google Scholar 

  • Mossetto G (1992) The economics of a city of art: a tale of two cities. Ricerche Econom 46:121

    Google Scholar 

  • Mossetto G (1993) Aesthetics and economics. Kluwer Academic, Dordrecht

    Book  Google Scholar 

  • Mumford D, Series C, Wright D (2002) Indra’s pearls - the vision of Felix Klein. Cambridge University Press, Cambridge

    Book  Google Scholar 

  • Myrdal G (1930) Vetenskap och politik i nationalekonomin. Norstedts, Stockholm

    Google Scholar 

  • Parry H (1886) Studies of the great composers. G. Routledge, London

    Google Scholar 

  • Penrose R (1969) The emperor’s new mind. Oxford University Press, Oxford

    Google Scholar 

  • Peitgen HO, Richter PH (1986) The beauty of fractals. Springer, Berlin

    Book  Google Scholar 

  • Pickover CA (1990) Computers, pattern, chaos, and beauty. Alan Sutton, Gloucestershire

    Google Scholar 

  • Popper KR (1959) The logic of scientific discovery. Hutchinson, London

    Google Scholar 

  • Poston T, Stewart I (1978) Catastrophe theory. Pitman, London

    Google Scholar 

  • Radetzki M (2010) The fallacies of concurrent climate policy efforts. Ambio 39:211–222

    Article  Google Scholar 

  • Savart F (1819) Mémoire sur les instruments à musique aux cordes et à l’archet. Deterville, Paris

    Google Scholar 

  • Schorske K (1961) Fin-de-siècle Vienna. Knopf, New York

    Google Scholar 

  • Schumpeter J (1954) History of economic analysis. Allen and Unwin, London

    Google Scholar 

  • Singh S (1997) Fermat’s last theorem. Fourth Estate, London

    Google Scholar 

  • Stewart I (1989) Does god play dice? Blackwell, Oxford

    Google Scholar 

  • Stewart I, Golubitsky M (1993) Fearful symmetry. Penguin, London

    Google Scholar 

  • Taine H (1866) Voyage en Italie

    Google Scholar 

  • Tromba A (1984) Mathematics and optimal form. Scientific American Books, New York

    Google Scholar 

  • von Böhm-Bawerk E (1889) Kapital und Kapitalzins. Wagner, Innsbruck

    Google Scholar 

  • Weissenberger R (1984) Wien 1890–1920. Überreuter, Wien

    Google Scholar 

  • Wentworth-Thompson D (1917) On growth and form. Cambridge University Press, Cambridge

    Google Scholar 

  • Wölfflin H (1948) Kunstgeschichtliche Grundbegriffe - Das Problem der Stilentwicklung in der Neueren Kunst. Benno Schwabe & Co, Basel

    Google Scholar 

  • Wölfflin H (1952) Classic art, an introduction to the Italian renaissance. Phaidon, London

    Google Scholar 

  • Zuckermann WJ (1969) The modern Harpsichord. Peter Owen, London

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Rights and permissions

Reprints and permissions

Copyright information

© 2015 Springer-Verlag Berlin Heidelberg

About this chapter

Cite this chapter

Puu, T. (2015). Modelling Evolution Through Structural Change. In: Arts, Sciences, and Economics. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-662-44130-5_7

Download citation

  • DOI: https://doi.org/10.1007/978-3-662-44130-5_7

  • Published:

  • Publisher Name: Springer, Berlin, Heidelberg

  • Print ISBN: 978-3-662-44129-9

  • Online ISBN: 978-3-662-44130-5

  • eBook Packages: Business and EconomicsEconomics and Finance (R0)

Publish with us

Policies and ethics