Abstract
After having outlined the elicitive model as my theoretical framework, ECM as my method and having established working definitions for the major terms and concepts in this thesis, one final excurse is important before moving to the case studies. In the following part, I will discuss the relationship between music and politics, outline my parameters for analyzing music presented in the case studies and discuss the role of music in conflicts. Following Wolfgang Dietrich (2002), I will also distinguish between three different forms of music: performed, recorded and vernacular music.
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© 2016 Springer Fachmedien Wiesbaden
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Hamed, A. (2016). Music in Conflict Transformation. In: Speaking the Unspeakable. Masters of Peace. Springer, Wiesbaden. https://doi.org/10.1007/978-3-658-14208-7_7
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DOI: https://doi.org/10.1007/978-3-658-14208-7_7
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Publisher Name: Springer, Wiesbaden
Print ISBN: 978-3-658-14207-0
Online ISBN: 978-3-658-14208-7
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