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Soul Brother, Soul Man, Soulboy?

Die filmische Inszenierung subkultureller Eigendynamiken am Beispiel des Northern Soul in Großbritannien

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Populäre Musikkulturen im Film

Part of the book series: Film und Bewegtbild in Kultur und Gesellschaft ((BKG))

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Zusammenfassung

Der Tanzboden dieses alten Tanzsaals bebt, alles bewegt sich, Schweiß liegt in der Luft, rhythmisch wird mitgeklatscht, dazwischen gibt es akrobatische Tanzeinlagen, die an Breakdance erinnern. Die Atmosphäre ist flirrend. Die Soulmusik reißt den Zuhörer mit und fördert den Wunsch zutage: ich möchte dabei sein. Doch diese Zeit ist vorbei, denn es sind die 1970er Jahre im Norden Großbritanniens.

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Authors
  1. Thomas Wilke
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Editors and Affiliations

  1. Universität Hamburg, Hamburg, Deutschland

    Carsten Heinze

  2. Universität Bayreuth, Bayreuth, Deutschland

    Laura Niebling

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Wilke, T. (2016). Soul Brother, Soul Man, Soulboy?. In: Heinze, C., Niebling, L. (eds) Populäre Musikkulturen im Film. Film und Bewegtbild in Kultur und Gesellschaft. Springer VS, Wiesbaden. https://doi.org/10.1007/978-3-658-10896-0_15

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  • DOI: https://doi.org/10.1007/978-3-658-10896-0_15

  • Publisher Name: Springer VS, Wiesbaden

  • Print ISBN: 978-3-658-10895-3

  • Online ISBN: 978-3-658-10896-0

  • eBook Packages: Social Science and Law (German Language)

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