Skip to main content

The Zürich Performance Workstation Project — An Overview

  • Conference paper
  • 251 Accesses

Abstract

If Susanne Langer is right in claiming that there is an isomorphism between musical structure and feelings, the concept of musical structure must include the work of interpretation. We think that Langer’s hypothesis is very difficult to verify. To make our argument clear, I want to present the current work on the mathematical theory of interpretation by our research group at the Zürich Multi Media Lab. The principal result of this work is implemented in software called “performance workstation” on NEXTSTEP computers.

This work was supported by the Swiss National Science Foundation, grant no. 21-33651.92

This is a preview of subscription content, log in via an institution.

Buying options

Chapter
USD   29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD   84.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD   109.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Learn about institutional subscriptions

References

  • Abel V, Reiss P (1991) MUTABORII - Software manual. Mutabor Soft, Darmstadt

    Google Scholar 

  • Friberg A (1991) Generative rules for music performance: a formal description of a rule system. Comput Music J 15 (2):56–71

    Article  Google Scholar 

  • Friberg A, Frydén L, Bodin LG, Sundberg J (1991) Performance rules for computer-controlled contemporary keyboard music. Comput Music J 15 (2):49–55

    Article  Google Scholar 

  • Lerdahl F, Jackendoff R (1983) A generative theory of tonal music. MIT Press, Cambridge/MA

    Google Scholar 

  • Maxwell HJ (1992) An expert system for harmonizing analysis of tonal music. In: Balaban M, Ebcioglu K, Laske O (ed) Understanding music with AI: perspectives on music cognition. MIT Press, Cambridge/MA

    Google Scholar 

  • Mazzola G (1989) PRESTO - software manual. SToA music, Zürich

    Google Scholar 

  • Mazzola G (1990) Geometrie der Töne. Birkhäuser, Basel

    Google Scholar 

  • Mazzola G, Hofmann GR (1989) Der Music Designer MD-Z71 - Hardware und Software für die Mathematische Musiktheorie. In: Petsche H (ed) Musik - Gehirn - Spiel. Birkhäuser, Basel (4th Herbert-von-Karajan-Symposion)

    Google Scholar 

  • Mazzola G, Muzzulini D (1990) Tempo- und Stimmungsfelder: Perspektiven künftiger Musikcomputer. In: Hesse HP (ed) Mikrotöne III. Helbling, Innsbruck

    Google Scholar 

  • Mazzola G (1993) Geometry and logic of musical performance. Swiss National Science Foundation Report, grant no. 21–3365.92. University of Zürich

    Google Scholar 

  • Misch C, Wille R (1988) Stimmungslogiken auf MUTABOR: Eine Programmiersprache. In: Herf FR (ed) Mikrotöne II. Helbling, Innsbruck

    Google Scholar 

  • Rothstein W (1989) Phrase rhythm in tonal music. Schirmer, New York

    Google Scholar 

  • Straus JN (1990) Introduction to post-tonal theory. Prentice Hall, Englewood Cliffs

    Google Scholar 

  • Sundberg J, Friberg A, Frydén L (1989) Rules for automated performance of ensemble music. Contemp Music Rev 3:89–109

    Article  Google Scholar 

  • Sundin NG (1984) Musical interpretation in performance. Mirage, Stockholm

    Google Scholar 

Download references

Authors

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 1995 Springer-Verlag Berlin Heidelberg

About this paper

Cite this paper

Mazzola, G. (1995). The Zürich Performance Workstation Project — An Overview. In: Steinberg, R. (eds) Music and the Mind Machine. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-642-79327-1_7

Download citation

  • DOI: https://doi.org/10.1007/978-3-642-79327-1_7

  • Publisher Name: Springer, Berlin, Heidelberg

  • Print ISBN: 978-3-540-58528-2

  • Online ISBN: 978-3-642-79327-1

  • eBook Packages: Springer Book Archive

Publish with us

Policies and ethics