Abstract
Sound 1 dizi_without_with_membrane.wav Two dizi tones of same pitch, the first without, the second with membrane attached (section Mirliton).
Sound 2 Trumpet_1.wav The beginning of a trumpet sound built by the impulse pattern formulation using a 600 Hz periodicity and a smooth Gauss impulse. The ’spitting’ in the beginning is caused by the complex impulse pattern.
Sound 3 Trumpet_2.wav Like Sound 2 using the same impulse pattern but a sharper Gauss impulse resulting in a brighter sound.
Sound 4 Trumpet_3.wav Like Sound 2 using the same impulse pattern but a lower pitch of 400 Hz periodicity.
Sound 5 Trombone_1.wav Trombone sound of 200 Hz periodicity built by the impulse pattern formulation of a smooth attack.
Sound 6 Trombone_1.wav Same as Sound 6 but with a more complex impulse pattern resulting in a more prominent starting impulse.
Sound 7 Violin_1.wav Violin sound produced by the impulse pattern formulation using a ’perfect’ sawtooth motion as waveform and a periodicity of 500 Hz. The impulse pattern used is the same as for the first trumpet sound. Here it is not resulting in a ’spitting’ but in the typical violin scratching sound.
Sound 8 Violin_2.wav Same as Sound 7 using a 600 Hz periodicity and a different impulse pattern.
Sound 9 Violin_3.wav Same as Sound 7 using a 1000 Hz periodicity and again a different impulse pattern.
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© 2013 Springer-Verlag Berlin Heidelberg
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Bader, R. (2013). CD Tracks. In: Nonlinearities and Synchronization in Musical Acoustics and Music Psychology. Current Research in Systematic Musicology, vol 2. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-642-36098-5_14
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DOI: https://doi.org/10.1007/978-3-642-36098-5_14
Publisher Name: Springer, Berlin, Heidelberg
Print ISBN: 978-3-642-36097-8
Online ISBN: 978-3-642-36098-5
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