Albert, R. S., & Runco, M. A. (1999). A history of research on creativity. In R. J. Sternberg (Ed.), Handbook of creativity (pp. 16–31). New York: Cambridge University Press. Chapter 2.
Google Scholar
Bada, J. L., & Lazcano, A. (2002). Some like it hot, but not the first biomolecules. Science, 296, 1982–1983.
CrossRef
Google Scholar
Ball, P. (2001). The self-made tapestry: pattern formation in nature. Oxford: Oxford University Press.
Google Scholar
Barrass, T. (2006). Soma (self-organising map ants). In EvoMUSART2006, 4th European workshop on evolutionary music and art.
Google Scholar
Bentley, P. J. (2002). Is evolution creative? In P. J. Bentley & D. Corne (Eds.), Creative evolutionary systems (pp. 55–62). San Mateo: Morgan Kaufmann.
Google Scholar
Berlyne, D. E. (1960). Novelty, uncertainty, conflict, complexity. McGraw-Hill series in psychology (pp. 18–44). New York: McGraw-Hill. Chapter 2.
Google Scholar
Berry, R., Rungsarityotin, W., Dorin, A., Dahlstedt, P., & Haw, C. (2001). Unfinished symphonies—songs of 3.5 worlds. In E. Bilotta, E. R. Miranda, P. Pantano & P. M. Todd (Eds.), Workshop on artificial life models for musical applications, sixth European conference on artificial life (pp. 51–64). Editoriale Bios.
Google Scholar
Boden, M. A. (2004). The creative mind, myths and mechanisms (2nd ed.). London: Routledge.
Google Scholar
Borel, É. (1913). Mécanique statistique et irréversibilité. Journal of Physics, 3(5), 189–196.
MATH
Google Scholar
Borgia, G. (1995). Complex male display and female choice in the spotted bowerbird: specialized functions for different bower decorations. Animal Behaviour, 49, 1291–1301.
CrossRef
Google Scholar
Carroll, J. (2007). The adaptive function of literature. In C. Martindale, P. Locher & V. M. Petrov (Eds.), Evolutionary and neurocognitive approaches to aesthetics, creativity and the arts (pp. 31–45). Amityville: Baywood Publishing Company. Chapter 3.
Google Scholar
Chamberlain, W. (1984). Getting a computer to write about itself. In S. Ditlea (Ed.), Digital Deli, the comprehensive, user-lovable menu of computer lore, culure, lifestyles and fancy. New York: Workman Publishing. http://www.atariarchives.org/deli/write_about_itself.php. Accessed 21 October 2010.
Google Scholar
Colton, S. (2001). Automated theory formation in pure mathematics. PhD thesis, University of Edinburgh.
Google Scholar
Colton, S., Bundy, A., & Walsh, T. (2000). On the notion of interestingness in automated mathematical discovery. International Journal of Human Computer Studies, 53(3), 351–375.
MATH
CrossRef
Google Scholar
Csikszentmihalyi, M. (1999). Creativity. In R. A. Wilson & F. C. Keil (Eds.), The MIT encyclopaedia of the cognitive sciences (pp. 205–206). Cambridge: MIT Press.
Google Scholar
Dahlstedt, P. (1999). Living melodies: coevolution of sonic communication. In A. Dorin & J. McCormack (Eds.), First iteration: a conference on generative systems in the electronic arts (pp. 56–66). Melbourne: CEMA.
Google Scholar
Dawkins, R. (1989). The evolution of evolvability. In C. G. Langton (Ed.), Artificial life: proceedings of an interdisciplinary workshop on the synthesis and simulation of living systems (pp. 201–220). Reading: Addison-Wesley.
Google Scholar
Dorin, A. (2004). The virtual ecosystem as generative electronic art. In G. R. Raidl, S. Cagnoni, J. Branke & D. W. Corne (Eds.), 2nd European workshop on evolutionary music and art, applications of evolutionary computing: Evo workshops, Portugal (pp. 467–476). Berlin: Springer.
Google Scholar
Dorin, A., & Korb, K. B. (2009). A new definition of creativity. In K. Korb, M. Randall & T. Hendtlass (Eds.), LNAI: Vol. 5865. Fourth Australian conference on artificial life, Melbourne, Australia (pp. 1–10). Berlin: Springer.
Google Scholar
Earnshaw, C. G. (1991). Mozart’s Dice Waltz. Atari users. http://tamw.atari-users.net/mozart.htm. Retrieved 21 October 2010.
Eddington, A. S. (1927). The nature of the physical world: Gifford lectures. New York: Macmillan.
Google Scholar
Eldridge, A. (2009). You pretty little flocker. Guildford Lane Gallery.
Google Scholar
Gracia, J. J. E. (1996). Texts: ontological status, identity, author, audience. New York: State University of New York Press.
Google Scholar
Harnad, S. (1990). The symbol grounding problem. Physica D, 42(1–3), 335–346.
CrossRef
Google Scholar
Hofstadter, D. (1995). Fluid concepts and creative analogies, computer models of the fundamental mechanisms of thought. Harper Collins: Basic Books.
Google Scholar
Johnson-Laird, P. (1987). Reasoning, imagining and creating. Bulletin of the British Psychological Society, 40, 121–129.
Google Scholar
Joyce, G. F. (1989). RNA evolution and the origins of life. Nature, 338, 217–224.
CrossRef
Google Scholar
Kowaliw, T., Dorin, A., & McCormack, J. (2009). An empirical exploration of a definition of creative novelty for generative art. In K. Korb, M. Randall & T. Hendtlass (Eds.), LNAI: Vol. 5865. Fourth Australian conference on artificial life (ACAL 2009), Melbourne, Australia (pp. 1–10). Berlin: Springer.
Google Scholar
Kowaliw, T., Dorin, A., & McCormack, J. (2012). Promoting creative design in interactive evolutionary computation. IEEE Transactions on Evolutionary Computation, 16(4), 523–536.
CrossRef
Google Scholar
Langley, P., Simon, H. A., Bradshaw, G. L., & Zytkow, J. M. (1987). Scientific discovery: computational explorations of the creative processes. Cambridge: MIT Press.
Google Scholar
Lenat, D. B. (1983). Eurisko: a program that learns new heuristics and domain concepts: the nature of heuristics III: program design and results. Artificial Intelligence, 21, 61–98.
CrossRef
Google Scholar
Maynard-Smith, J., & Szathmry, E. (1995). The major transitions in evolution. New York: Freeman.
Google Scholar
McCormack, J. (2001). Eden: an evolutionary sonic ecosystem. In J. Kelemen & P. Sosik (Eds.), LNAI: Vol. 2159. Advances in artificial life, 6th European conference, ECAL, Prague, Czech Republic (pp. 133–142). Berlin: Springer.
Google Scholar
Miller, G. F. (2001). Aesthetic fitness: how sexual selection shaped artistic virtuosity as a fitness indicator and aesthetic preferences as mate choice criteria. Bulletin of Psychology and the Arts. Special issue on evolution, creativity, and aesthetics, 2(1), 20–25.
Google Scholar
Nake, F. (2002). Personal recollections of a distant beginning. In L. Candy & E. A. Edmonds (Eds.), Explorations in art and technology (p. 6). London: Springer.
Google Scholar
Odling-Smee, F. J., Laland, K. N., & Feldman, M. W. (2003). Niche construction, the neglected process in evolution. Monographs population biology. Princeton: Princeton University Press.
Google Scholar
Phillips, J. (1935). Succession, development, the climax, and the complex organism: an analysis of concepts: part III. The complex organism: conclusions. Journal of Ecology, 23(2), 488–508.
CrossRef
Google Scholar
Putnam, H. (1979). The meaning of “meaning”, philosophical papers: mind, language and reality (Vol. 2, pp. 215–271). Cambridge: Cambridge University Press. Chapter 12.
CrossRef
Google Scholar
Rowe, J., & Partridge, D. (1993). Creativity: a survey of AI approaches. Artificial Intelligence Review, 7, 43–70.
CrossRef
Google Scholar
Saunders, R., & Gero, J. S. (2002). Curious agents and situated design evaluations. In J. S. Gero & F. M. T. Brazier (Eds.), Agents in design (pp. 133–149). Key Centre of Design Computing and Cognition, University of Sydney.
Google Scholar
Schmidhuber, J. (2009). Driven by compression progress: a simple principle explains essential aspects of subjective beauty, novelty, surprise, interestingness, attention, curiosity, creativity, art, science, music, jokes. arXiv:0812.4360v2 [cs.AI].
Sims, K. (1991). Artificial evolution for computer graphics. Computer Graphics, 25(4), 319–328.
MathSciNet
CrossRef
Google Scholar
Smuts, J. C. (1927). Holism and evolution. London: Macmillan and Co.
Google Scholar
Tatarkiewicz, W. (1980). A history of six ideas, an essay in aesthetics. Warsaw: PWN Polish Scientific Publishers.
CrossRef
Google Scholar
Todd, S., & Latham, W. (1992). Evolutionary art and computers. San Diego: Academic Press.
MATH
Google Scholar
Weesatchanam, A.-M. (2006). Are paintings by elephants really art? www.elephantartgallery.com. Retrieved 31 July 2009.