This essay aimed at exhibiting the national culture and nature environment of Tibetan region as well as the kindness, honesty and devoutness of the Tibetan people with the inspiration from carved stones and the porcelain arts as the carrier. The aesthetic conception of modern porcelain arts has been changing as the application of ethnical culture in modern porcelain arts has become more and more attractive for viewers, Porcelain·Ganzi, with the characteristics from combining the porcelain and MANI cairns, showed a particular kind of regional culture of Tibetan to us through reappearing the MANI cairns with porcelains, which can bring viewers affection related with nature and intense aesthetic experience, which aim at carrying the Tibetan culture forward and invest with the innovations by trying to provide interaction and communication between different emotions.
KeywordsMANI cairns modern porcelain arts material conversion Tibetan culture
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