Co-production and Co-creation: Creative Practice in Social Inclusion

  • Atau Tanaka
  • Lalya Gaye
  • Ranald Richardson
Conference paper

DOI: 10.1007/978-3-642-15214-6_17

Part of the IFIP Advances in Information and Communication Technology book series (IFIPAICT, volume 333)
Cite this paper as:
Tanaka A., Gaye L., Richardson R. (2010) Co-production and Co-creation: Creative Practice in Social Inclusion. In: Nakatsu R., Tosa N., Naghdy F., Wong K.W., Codognet P. (eds) Cultural Computing. IFIP Advances in Information and Communication Technology, vol 333. Springer, Berlin, Heidelberg

Abstract

We apply techniques drawn from interactive media art in fieldwork for social inclusion. Advanced mobile media and grassroots DIY techniques are used to bring creative practice with digital media into community based outreach work. We use these techniques in a participatory context that encourages the co-production of cultural output. We triangulate across artistic practice, technology engineering, and the social sciences to leverage methods from digital media art practice in contexts that result in social innovation.

Keywords

interactive music social inclusion social innovation co-production of knowledge triangulation 
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Copyright information

© IFIP 2010

Authors and Affiliations

  • Atau Tanaka
    • 1
  • Lalya Gaye
    • 1
  • Ranald Richardson
    • 2
  1. 1.Culture Lab 
  2. 2.Centre for Urban Regional Development StudiesNewcastle UniversityNewcastle upon TyneUnited Kingdom

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