Abstract

One intriguing issue in music analysis is that of segmentation, or parsing, of continuous auditory streams into some kinds of meaningful and analytically convenient units, a process that can be denoted as chunking. The purpose of this paper is to present a theory of chunking in musical analysis based on perceptual features of sound and on our own research on musical gestures, suggesting that music-related actions are essential in the process of chunking.

Keywords

Chunking musical analysis timescales action-units coarticulation 

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Copyright information

© Springer-Verlag Berlin Heidelberg 2009

Authors and Affiliations

  • Rolf Inge Godøy
    • 1
  1. 1.Department of MusicologyUniversity of OsloOsloNorway

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