Skip to main content

Behind the Screen: Installations from the Interactive Future

  • Conference paper
Book cover Transdisciplinary Digital Art. Sound, Vision and the New Screen

Part of the book series: Communications in Computer and Information Science ((CCIS,volume 7))

Abstract

The future is interactive... at least that is the theory. And while the theory itself is not new, the screen through which it is rendered most certainly is. The new screen... one among possible many, and yet despite the many it is the impossible one upon which the interactive future will manifest. "Behind the Screen" is, in this sense, an exploration of the consequences of imaginative technological use, with an emphasis on the ways in which artistic mobilization of screen technology impacts on the interactivity of contemporary living. Focusing on several key installations from the 2007 Interactive Futures Symposium, this paper engages both the representative proofs and disproofs offered by artistic technological use – a theoretical exploration of the critical imaginary potential of new media artwork.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 109.00
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  1. Baudrillard, J.: Xerox and Infinity. In: The Transparency of Evil: Essays on Extreme Phenomena, p. 54. James Benedict, trans. Verso, London (1993)

    Google Scholar 

  2. Interactive Futures (2007), http://cfisrv.finearts.uvic.ca/interactivefutures/IF07/

  3. Borges, J.L.: Fauna of Mirrors. In: The Book of Imaginary Beings. Norman Thomas di Giovanni trans, pp. 67–68. Vintage, New York (2002)

    Google Scholar 

  4. Ahn, J.: Their Circumstances, artist statement ftom the Interactives Futures 2008 website (2008), http://cfisrv.finearts.uvic.ca/interactivefutures/IF07/?page_id=40

  5. Wikipedia: Georges Bataille, http://en.wikipedia.org/wiki/Georges_Bataille

  6. Wikipedia: Story of the Eye, http://en.wikipedia.org/wiki/Histoire_de_l’oeil

  7. Virilio, P.: The Information Bomb, Chris Turner, trans. Verso, London, p. 124 (2000)

    Google Scholar 

  8. Mander, J.: Four Arguments for the Elimination of Television, pp. 170–189. Perennial, New York (2002)

    Google Scholar 

  9. Wikipedia: Inedia, http://en.wikipedia.org/wiki/Inedia

  10. Armstrong, K.: Why Some Dollsa Are Bad, artist statement ftom the Interactives Futures 2008 website (2008), http://cfisrv.finearts.uvic.ca/interactivefutures/IF07/?page_id=38

  11. Wikipedia: Infinite Monkey Theorem, en.wikipedia.org/wiki/Infinite_monkey_theorem

  12. Hayles, N.K.: How We Became Postuman: Virtual Bodies in Cybernetics, Literature, and Informatics, p. 25. University of Chicago Press, Chicago (1999)

    Google Scholar 

  13. Joseph, C.: Photocollagen, artist statement ftom the Interactives Futures 2008 website (2008), http://cfisrv.finearts.uvic.ca/interactivefutures/IF07/?page_id=50

  14. Cicero: De Inventione, C.D. Yonge, trans, http://classicpersuasion.org/pw/cicero/dnv2-1.htm

  15. McLuhan, M.: Understanding Media: The Extensions of Man, p. 24. McGraw-Hill, New York (1964)

    Google Scholar 

  16. Pérez Romero, L.: Frontera, artist statement from the Interactives Futures 2008 website (2008), http://cfisrv.finearts.uvic.ca/interactivefutures/IF07/?page_id=37

  17. Lacan, J.: The Mirror Stage as Formative of the Function of the I as Revealed in Psychoanalytic Experience. In: Elliott, A. (ed.) The Blackwell Reader in Contemporary Social Theory, pp. 62–64. Blackwell, Oxford (1999)

    Google Scholar 

  18. Casares, A.B.: The Invention of More. NYBR Classics, New York (2003)

    Google Scholar 

  19. Hayles, N.K.: How We Became Postuman: Virtual Bodies in Cybernetics, Literature, and Informatics, pp. xi - xii. University of Chicago Press, Chicago (1999)

    Google Scholar 

  20. Bowie, F.: Slip/host, artist statement ftom the Interactives Futures 2008 website (2008), http://cfisrv.finearts.uvic.ca/interactivefutures/IF07/?page_id=36

  21. de Cervantes, M.: The Ingenious Hidalgo Don Quixote de la Mancha. J. Rutherford, trans. Penguin, London (2000)

    Google Scholar 

  22. Bowie, F.: Slip/host, http://alexandrahass.wordpress.com/2007/12/01/fiona-bowies-slip-host-script/

  23. Hoffos, D.: Scenes from the House Dream, artist statement ftom the Interactives Futures 2008, website (2008), http://cfisrv.finearts.uvic.ca/interactivefutures/IF07/?page_id=39

  24. Wikipedia: Pepper’s Ghost, http://en.wikipedia.org/wiki/Pepper’s_ghost

  25. Borges, J.L.: The Circular Ruins. In: Collected Fictions. Andrew Hurley, trans, Penguin, New York, p. 100 (1998)

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Editor information

Randy Adams Steve Gibson Stefan Müller Arisona

Rights and permissions

Reprints and permissions

Copyright information

© 2008 Springer-Verlag Berlin Heidelberg

About this paper

Cite this paper

Hiebert, T. (2008). Behind the Screen: Installations from the Interactive Future. In: Adams, R., Gibson, S., Arisona, S.M. (eds) Transdisciplinary Digital Art. Sound, Vision and the New Screen. Communications in Computer and Information Science, vol 7. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-540-79486-8_9

Download citation

  • DOI: https://doi.org/10.1007/978-3-540-79486-8_9

  • Publisher Name: Springer, Berlin, Heidelberg

  • Print ISBN: 978-3-540-79485-1

  • Online ISBN: 978-3-540-79486-8

  • eBook Packages: Computer ScienceComputer Science (R0)

Publish with us

Policies and ethics